Proof from the March 2nd Casting

My post on this weekend’s casting adventures did not include a proof of the imperfect but useable forme cast in the early evening, so here it is:

Second ProofThis was done with rubber based ink, and the gloss of the ink caught the camera flash making the jet black printing appear gray and porous. There are ten corrections to make, and I cast a few sorts today for this purpose. The corrections are in now, but I have not filled the lines yet to make everything lock up tight.

Having looked at this proof I also see something wonky about the spacing of the second line in item 3: The first four spaces are clearly wider than the remaining ones, yet the line length seems to have come out correctly. The mixed space widths could perhaps be due to the S punch being not recognized in part of the line, making the spaces have their natural width, but that doesn’t explain why the line length is correct. This also did not happen in the Sunday afternoon casting, so I’ll be taking a closer look at the ribbon to try to find an explanation.

A look at the spreadsheet I used to verify the justification codes reveals that this line in fact contains only 4 S punches, and has a wide justification adjustment of 8/3, meaning about 2½ points of justification are being added to just four of the spaces. The previous casting would have been before I corrected the justification. If all 11 spaces had S punches, the justification code would be 5/3, adding only about one point to all of the spaces. It will also be interesting to see what the original justification codes were on that line. I believe that the keyboard has a lever to control whether the space bars produce adjustable or fixed spaces. It would appear that partway through keying that line the lever was moved to the fixed-space position, and reset at the end of the line when I noticed there were only 4 justifying spaces. So I may fire up the caster again to cast the correct width of spaces for this line to produce even spacing.

Oh, yes… that row of cap H’s at the bottom is for checking the matrix alignment and will of course be removed from the final proof!

Hilarious auto-captioning of one of my YouTube videos

I recently posted a video on YouTube showing the basic operation of the TAPPI hand sheet former we have for sale.

Just this evening I noticed that YouTube tries to do speech recognition to generate closed captioning for the videos. On this particular video, I would estimate it got at best 5% of the words correct. Some of the captioning is just gibberish, some sounds like pithy aphorisms, and one line is NSFW. With the proper selection of lines you could make a very cryptic haiku. I found it hilarious to watch.

To see this captioning, below the video you will see a row containing the Like and Dislike buttons, the selectors for the About, Share, and Add To tabs, and some icons the first of which sort of looks like a menu selector, but actually gives the “Transcript” as YouTube calls it. Click on this then play the video.

If you want a puzzle, here is the (censored) transcript without the video; see if you can guess what I’m really saying! Hint: The boldface words are correct

when I got here ahead she for hurt at
test Thur it’s not hot
climbing her grammar how the f*** her trainer are her fellow
so on a star well
whole or half
first who
happy a
sorrel record here screening out enough grass
break Harper slain or
rushed and watch down here well
rest away for
hotline at Paul
I have here I was watching grams Paul
after all and former No leaders
water which is not recommended for the cat for anything has changed
all
not hot rest away
so I’m
and use this device to stir
all then
the persuade Hall
things of horror and their pop star
centigrade when you’re you’re tasked you or the sleeper
a the show here
bear sighting in she
years and she or on the screen
and these are standard Larson you’re just peace
copter all I’ll
as
not shattered roller
the reason why I got his coaches sheesh
come with up there is one here are
Shia I didn’t send pretty well
holders low last boss
stuff in there that’s hard for me

I didn’t think I mumbled that badly!

March 2nd Casting Session: A Modicum of Success

The first job was to address the problem of the magnetic starter tripping out every few lines. I found online several documents regarding the pulsing nature of the current drawn on the input of a VFD. I think the pulsing current may be fooling the current sensor on the magnetic starter, making it signal an overload and turn off the power. In the manual for the VFD they provide recommendations for input wiring protection based on the capacity of the VFD rather than that of the motor. By following these recommendations I set the current limit on the magnetic starter to a higher value, and as a result the power did not shut off at all during today’s work.

For reference of what it is I’m trying to cast, here is the proof I took at Mono U of the caster output from my ribbon after hand corrections:

IMG_6991This is cast in 9 point Times Roman on a 10 point body, with 3-point leading between the lines. Although the lines were supposed to be justified, due to the keyboarding errors and manual corrections, only three of the 8 lines that should be justified actually are (“1. Select the location…”, “2. When you click…”, and “also be options for fixed…”). My corrections to the ribbon should improve that average a bit.

The third line, once corrected, was actually too long so part of the hand correction was to hyphenate the word “pointing.”

By the way, the text is a short excerpt from the documentation for a computer program for managing digital Matrix Case Arrangements (MCA’s).

Sunday afternoon, I tried casting the ribbon again. One thing I noticed about the line lengths was that the lines that were quadded out at the ends of the paragraphs seemed to have more accurate line lengths. There was one adjustment I had not done on the caster, which is to adjust the space transfer wedge so that types cast with the S punch in 3/8 justification come out the same width as the same types with no S punch. I manually punched a ribbon to set 3/8 justification and cast a series of em quads. By running this ribbon and stopping it after it got to the quads I could cast a line of justified em quads, then disconnect the air supply and cast a line of non-justified em quads for reference. The justified ones were casting wider than the non-justified ones, but by adjusting the transfer wedge I got these to cast the same width.

Later that afternoon, with a bit of futzing about, adjusting line lengths as the caster was running, I got the ribbon to cast at one go with no freezes and no motor cutouts. I did have one line break not work, and by the time I noticed there was most of the next line in the type channel. I stopped the caster and carefully removed the first line and set it aside. Later I integrated it into its proper place in the form. There were a few small blobs of metal under some of the types in the earlier lines (near the bottom of the form). Perhaps these were caused by bleeding feet on the type. In any case, here is the result, with some of the spacing adjusted to fill the lines more or less:

IMG_6995 IMG_6992

I made a list of all the errors, and reviewed the ribbon to see if they were keyboarding errors or casting errors. In the latter case I compared what was cast with what the ribbon called for to try to determine if the error was a hole not read, a hole read where there was none, or some other more complex error. Most were of the first type, which might be corrected by increasing the air pressure.

To address the problem of incorrect line lengths, I made up another Excel spreadsheet to calculate the proper justification codes for a line on the ribbon. You enter the set size and line length once, and for each line, you enter the number of S punches (which are adjustable-width characters), the number of 1 punches through 14 punches, and the number of rows on the ribbon with none of 1 through 14 punched (which selects row 15 in the mat case). The spreadsheet then calculates for each line the two justification codes required.

I found several of the lines were way off, usually due to some other mispunch on the line. For instance, there is one place where two letters were punched in the same row of the ribbon, because the ribbon did not advance in the keyboard. This will only cast one type (by 25% chance it is actually one of the punched letters), but the keyboard counted both of them when calculating its justification. I corrected these justification errors using tape and the hand punch.

In the evening I ran the ribbon again, with even better results. The line lengths were fairly even (though not perfect). Only one line ended up too long, due to one type casting as an em quad instead of a narrower letter. Other than that all the lines fed onto the galley with no problems. Turning up the air pressure a bit had reduced the number of miscasts.

IMG_6997I haven’t taken a proof of this yet. That loose “g” at the end of the fifth line actually belongs at the end of the third line on the word “pointing.” This is also the line that cast too long; you can see the rogue quad at the start of the line between the words “on” and “the.”

After checking the errors against the ribbon again, I tried to cast the form a second time, but started getting nozzle freezes. The clutch that drives my caster may be slipping a bit as it warms up, and as a result the RPMs drop and freezes can occur easier. I was also getting late so I quit for the evening.

March 1st Casting Session

This morning I checked the angular alignment of the nozzle on my caster and found that it was off a tiny bit, so I adjusted that. I also reset the nozzle to its proper center position on the assumption that the faulty alignment was causing the leakage.

I also took apart my mould again, including removing the two side blocks on the crossblock and the two type blocks on the main body of the mould. I cleaned off some accumulations of well-adhered type metal, and on reassembly I took great care to ensure that the mating surfaces were absolutely clean and free of oil.

I put everything back on the caster, and tried it out. It was casting beautiful quads with no sign of nozzle freeze. But looking at the nozzle area revealed why: The nozzle was leaking plenty of type metal, and all this extra flow was keeping the nozzle hot.

I lowered the pot and swung it out, and gave the outside of the nozzle a good cleaning and examination.

IMG_6985   IMG_6984

A close look revealed that there was something off-center or out of round, perhaps as a result of being used too much with the centering position out of adjustment.

IMG_6988   IMG_6986

Unfortunately the only spare I had (aside from the display casting nozzle) was in even worse shape. It looked like someone had pinched its tip with pliers!

I have a factory drawing of the dimensions of several nozzles so I knew what shape the tip should have. I didn’t have much to lose in trying to reshape these nozzles, so I started with the pinched one. I mounted it in my lathe, carefully centered it, and turned a thin cut off the conical end until the pinched area was gone. Then I cut the slight step in the shape and drilled out the hole to 0.070″ per the diagram. Finally I used a file to cut the tip down until there was a flat spot 0.093″ in diameter.

IMG_6990I put this on the caster and readjusted the nozzle height. This nozzle did not seem to screw in quite all the way so despite me shortening it, I actually had to lower the nozzle height so it would seat at the right time.

After casting a couple of lines of quads the mould was warmed up and ran with no freezes, and, even better, no nozzle leakage! Furthermore it was clear the mould was running tighter because the cast of the air vent on the jet had almost no flash on it, unlike previous times.

One other problem I had encountered last weekend was the casting of letters directly above the correct ones in the matcase (and also the line length being wrong as a result). I though it might be due to excessive air leakage between the pins, but reducing the air pressure had not helped. However, during the week, while I was working on one of the other problems I noticed that the front pin jaws were not closing fully around the air pin. In fact they stayed far enough open that the rack might be more than half a tooth out of position, so when the locking bar seats it actually pushes the rack to the next position from where it should have been. I traced the open jaws to the rod that connects the tongs spring box to the bell crank. A nut had come loose on this rod so the rod had some end play. When the rod was pushed by the spring box (which closes the pin jaws) it would not push far enough. I tightened the nut and thing were running properly again. Quieter too because the rack was not making any “clack” noises as it was snapped into position by the locking bar.

I tried casting the ribbon again. At first the galley was not operating when it should. It seemed that the air pins for the two justification lines had become a bit lazy so I turned up the air pressure a bit and they started working properly. I got through a run of the ribbon with only a few events: The line lengths are still all over the map so I had to stop to clear over-long lines and spend time dropping quads into the too-short lines. I had a couple of lines where the column pusher did not push far enough (instead compressing its spring box). There were also some miscasts too, often involving a position on the ribbon reading holes from adjacent positions. Perhaps I turned the pressure up too much in my effort to get the line breaks working.

Finally I still have the problem of the magnetic starter that supplies the VFD tripping its overload protection after casting 4 lines or so. The average current draw isn’t actually that high, but because the VFD is converting the supply to DC using a simple bridge rectifier and capacitors, the peak current is actually quite high but only occurs for a small fraction of each AC cycle. This spike current might be spoofing the overload sensing on the starter. Because the VFD itself provides overload protection for the motor, all I really need is a switch and over current protection (fuses or a circuit breaker) rather than the magnetic starter. For now I’ve turned up the overload limit on the starter so I hope this will stop these false trips.

The Broken Pin Wrench Resurfaces

While testing out the new Operating Lever Latch Spring on my Monotype caster, I heard a clunk as something fell to the floor. It turned out to be the broken pin wrench I had lost inside the caster a couple of days ago. The vibration of running the machine had shaken it out of its hiding place.

IMG_6976

The left end is the one I broke adjusting the pump linkage rod length a couple of days ago. The right end, which was angled, was broken about a month and a half ago when I was adjusting the column pusher spring box length.

IMG_6980This is a (blurry, sorry) close-up of one of the broken ends. You can see the crystalline surface left by a brittle fracture. I feel that the tool was not sufficiently tempered after being hardened, leaving the ends too brittle to resist the forces encountered when using this tool to rotate a part.

I will probably make my own replacement, and although it won’t have such a nice knurled finish, I’ll make sure it is tempered enough to bend before breaking.

A New Spring for the Operating Lever Latch

While doing my last few casting sessions I noticed another part missing from my Monotype caster. There is a lever, called the Operating Lever, which controls the engagement of a clutch on the motor drive; essentially this is the lever you push to get the caster running under power. This lever, in turn, has a latch that holds it engaged. This latch has a spring, missing from my caster, which pulls the latch in the direction required to hold the operating lever engaged.

Without the spring, the latch will still engage because of gravity pulling on it, but this pull is relatively weak because of the orientation and shape of the latch. As a result it tends to bounce before properly catching on the operating lever. As you press in the operating lever, you can’t feel or hear the latch engaging so you can’t be quite sure you’ve pressed the lever far enough to latch. Furthermore, because of the bouncing of the latch, releasing the operating lever too fast might result in it not latching.

I asked Bill Welliver to measure the spring on his caster, and he obliged with the following two images:

Bills Spring  Dimensions from Bill

From this I bought the appropriate gauge of spring (music) wire, drew up my own notes and made a spring:

IMG_6972 IMG_6973

After doing a test coiling over a ¼″ arbor, I decided to use on slightly smaller to actually wind the spring. Another deciding factor in this was what I did not have a long enough piece of ¼″ steel rod handy. I also did not have the proper jig for bending the eyes at the ends of the spring to a central position. This means the spring will be a bit distorted in use and may have a shorter lifetime, but it will still probably outlive me.

IMG_6974

This shows my spring installed. You can see how the ends of the springs are stretched unevenly because of the off-center eyes.

The caster has a mechanism to release the operating lever if a line delivered to the galley is too long or too short (to a degree; lines more than about 2″ too short are not detected). This relies on the force from the column pusher (which pushes the line and all the already-set type down the galley tray) overcoming the latch spring and any friction. When I tested this after installing the spring, I found that the latch did not release; instead the spring box on the column pusher (intended to prevent part breakage if something jams) compressed and the line was not pushed onto the galley. The latch is reasonably well lubricated, so either my new spring is too strong or the column pusher spring box is too weak.

To get around this for now, I used a handy spring lengthener (aka a bent paper clip) to reduce the tension on the latch enough that the column pusher could overcome it and release the latch.

IMG_6981

That’s quite a bit of extra length and the spring is barely extended at all. This kludge will work for now, but eventually I should determine if it is my spring at fault or the column pusher spring box.

One other good thing happened when I was running the caster (with the pump off) to test the line length trip: the broken pin wrench which I had lost in the guts of the machine fell out, so I no longer have to worry about it jamming something.

February 23rd Casting Session

Last Sunday was another frustrating day of casting.

The only way I could get the nozzle to seal even remotely well was to have it clearly out of alignment, so it was moving sideways every time it rose and dropped. This is not good for the nozzle, since it tends to wear a flat spot onto it. It also means the nozzle is in contact with the mould longer than it should be, leading to a greater likelihood of nozzle freezes.

And I got nozzle freezes aplenty! I could not get an entire line cast without the casting stopping partway through from a nozzle freeze.

I had adjusted the nozzle height and pump timing according to the directions in Casting Machine Adjustments but I found that the resulting setting seemed to leave a lot of dead time between the seating of the nozzle and the start of the piston stroke. Furthermore, when I swung the pot open, I found that the pump would sort of pop out of its operating levers much more forcefully that it did when I was casting a couple of years ago. I have since found a different procedure in ‘Monotype’ Casting Machine Manual which gives a more sensible adjustment.

It would appear that between the publishing of these two books (1920’s and 1960’s) the linkage to the pump had been redesigned so that the pump castings would not be overstressed by the mechanism trying to lift the piston too far on the return stroke. Applying the old directions left most of the play in the linkage to be taken up before the piston moved.

Although it is newer and accounts for changes to the machinery over 40 years, ‘Monotype’ Casting Machine Manual still has its share of confusion. In the particular the section on adjusting the pump and nozzle states incorrectly that the force that operates the piston contributes to the force seating the nozzle (adding to the spring that already does that). Because the piston is operated by the opposing force of two levers, this is not possible; the force applied upwards by the pump body lever will exactly equal the downwards force applied by the piston lever (and, through the pressurized metal in the pump cylinder, to the pump body) and so there will be no net force on the pump body.

There was one remaining part of this adjustment that I did this evening: I had to shorten the linkage rod that operates the pump so the idle position of the pump does not quite bottom out the crossheads. This required loosening locknuts at either end of the rod and rotating the rod using a pin wrench in a hole in the middle of the rod. All this done through two openings in the back of the caster not much larger that my hands. The pin wrench is just a little stubby tool which is used to rotate parts such as the mould blade abutment screw (to adjust the width of the type). Unfortunately, the tip of the wrench is quite brittle, and after a couple of turns one of the locknuts bottomed out and the pin wrench snapped off. Both ends of the wrench were now broken so it was pretty much junk, but when it broke off, it just vanished! It fell somewhere under the caster table and so far I’ve been unable to find it. There aren’t many moving parts below the rod I was adjusting so the wrench is unlikely to jam anything, but I’m still impressed at how good a disappearing act it did.

I will probably make my own pin wrench to replace this one (which I got from Rich Hopkins just this summer) and I’ll try to make the tips less brittle, so they bend rather than snap off.

Although I’ve been trying to adjust the nozzle position, I’m wondering if the nozzle alignment (tilt) is off too, and that dragging up one side of the cone hole under the mould is enough to push it into alignment. This would explain why it seals so poorly when it rises freely, but seals better when it is off-center.

I will have to take the mould apart again and clear it of smeared type metal, so while it is off I can check the nozzle alignment. The smeared type metal is partly the result of running the mould too hot (in an effort to stop nozzle freezes).

Sunday evening, I shut off the machine early in my frustration, and spent the rest of the evening patching up the tractor holes on the ribbon. I also repunched the justification codes to correspond to my set size of 10¼ points (the ribbon had originally been punched for 9½ points set). I have a small Excel spreadsheet into which I can enter the original set size, new set size, original line length, and justification punches, and it calculates the new line length and corrected justification punches.

Grimsby Wayzgoose Coming Up on April 26th

The Grimsby Public Art Gallery will be hosting its 36th annual Wayzgoose book arts fair this year on Saturday April 26th, from 9am to 5pm. We will be there selling our paper, marbling, and other supplies. Our friends from the Book Arts Guild of Richmond Hill will be there too along with dozens of other people working in the book arts.

You can find more information as well as directions to get there at the fair’s web site. Grimsby is on the north shore of the Niagara peninsula, about halfway between Hamilton, Ontario and Buffalo, New York.

February 15th Casting Session

In preparation for casting last Saturday, I moved a few mats in the matcase I was using so there would be low quads where the ribbon expected them. The ribbon also expected a 10-unit space to exist, so I placed a blank mat there and will have to live with getting a high space. I also swapped the parentheses to match what the ribbon wants.

I covered one hole in the ribbon to convert an exclamation mark into the space of the same width that should have been punched.

I spliced out the two duplicated lines that were still there, and used some tape to smooth out one of the glued splices made earlier. The roughness of the splice seemed to be causing the wrong matcase position to be cast at the start of the line.

The remaining mistakes seem to be actual keyboarding errors which are to be fixed by replacing sorts in the cast lines.

I took the mould apart (but left the squaring plate in place), cleaned all the mating surfaces of the two type blocks and reassembled them.

I checked my metal temperature with a thermometer and found that the controller was reading about 10°F high.

I also checked the overcurrent protection on the motor power source, which had been tripping every few lines the week before. Everything seemed fine, though.

So I started casting again. It took a while to get past the nozzle freeze stage, and eventually I started to have one of the opposite problems, called “bleeding feet,” where molten metal oozes from the foot of the type after the jet is cut off. This produces a blob of metal which leaves the type too high, and often snagging adjacent type as well. The blobs would also force the type channel open as well, allowing other type in the channel to fall over. Once I slowed the caster down to 135RPM this stopped happening and I seemed to be getting good type. Cleaning the mould definitely helped because reduce the presence of fins on the type.

But then the galley stopped collecting the lines of type, leading to a broken part and two hours wasted.

I was also still getting the motor cutting out on me every 4 or 5 lines, and I still don’t understand why.

ResultI finally got what at first seemed to be a good forme of type finished (albeit a bit pied by the uneven line lengths), but on closer inspection I found many wrong characters cast. The errors were of a very particular type, though: The character cast in error was always directly above the one that should have been cast. My hypothesis is that, with use, the air pins have become looser and need less air to raise them. When a particular row, say 5, is signaled, the 4 and 6 air pins also rise because of leakage between the air channels just under the ribbon. The matcase always picks the row for the smallest number, and in this case that means one row above the right place. If this is the problem I should be able to fix it by turning the air pressure down. If the problem persists next time I’ll try taking a video of the front pin block to see if the rogue pins can be spotted at work.

NozzleI am still getting metal accumulating under the mould, so before the next casting session I will be verifying the nozzle alignment. I found some type metal adhering quite tenaciously to the hole under the mould and wonder if this could be enough to cause the leakage. I managed to get the metal cleaned out of there.

I looked over the nozzle after giving it a good cleaning and it seems fine. I have never had it this clean before, and now I see that the tip of the nozzle appears to be an insert of some other metal than its main body.

 

Misdiagnosis Results in Broken Part

Last Saturday I tried again to do a run of composition casting. At some point, the galley mechanism stopped working, and a very long line developed in the galley.

I stopped casting and looked for the cause of the problem. The justification was still taking place, but when the galley trip rod (a49D) was pushed forward by the justification mechanism it didn’t even touch the galley trip lever.

IMG_6928

On the English casters, this trip lever (h45FF) has a graduated adjustable cam (45F29 through 35) to control how far the trip rod has to move before tripping the galley. This allows the setting to be adjusted to compensate for overthrow of the trip rod when the machine is running fast and a single justification is coded in the ribbon, and also allows the switch between using single and double justification to trip the galley. I couldn’t really understand how this could have gone out of adjustment so easily, but I reset the cam position so double justification would trip the galley again.

I started casting again, and the galley tripped properly this time, but partway through its cycle there was an unexpected clunk. At the next line end, the galley did nothing again even tough I saw the trip lever move.

I stopped the machine right away and removed the tool tray to check the galley mechanism. This is what I found:

Broken

The post (14F6) that the pawl spring should attach to was snapped off. It seems that halfway through the galley cycle, the galley trip lever had caught this post and snapped it off. This implied that the trip lever was capable of swinging much too close to the axis of the galley cam, so the stop bolt (45F9) was also adjusted wrong.

It was only when I had a closer look at the trip lever and its adjusting cam that I realized the true cause of the original problem. The bolt (45F27) that locks the two pieces of the trip lever (h45F and 45F26) together had loosened and the two ends of the lever had swung out of their proper relative positions. You can actually see the clean spot where the washer should be. Because this had shifted the trip lever was able to swing in and catch on the spring post.

The American casters have a one-piece trip lever, and use an adjustment screw (along with a spacer that swings in & out for single- or double-justification galley trip) to accomplish what the fancy cam on the English machines does. The presence of this two-piece trip lever seems somewhat superfluous to the adjustments provided by the cam and stop bolt. Its only reason for being there seems to be so that the trip lever can be set so position A of the adjustment cam reliably trips the galley with single justification at low speeds. This ensures that the adjustment cam has enough range to work with double-justification galley trip at high speeds.

In any case I re-adjusted the trip lever based on the instructions in Monotype Composition Caster Manual (I will have to check this) because Casting Machine Adjustments only refers to the American-style trip lever. Position A of the cam now gives low-speed trip on single justification, and position N (I will have to check this too) gives low-speed trip on double justification. Since I am not using justification changes within the line I would probably not notice if the single justification that forms half of the line end is also tripping the lever due to the caster speed. I also tightened the locknut on the stop bolt, something which I neglected to do previously, as is clear in the first photo.

This left the job of replacing the post. I had good luck on two fronts there. I had a spare post which was easy to find because it was still in its place in the spare galley cam I have. I was also lucky in that the broken stub of the post was loose in its hole, so I could unscrew it by tapping on its just right using a small prick punch.

The replacement post 14F6

The replacement post 14F6

The repaired galley, with a bit of cleaning done as well.

The repaired galley, with a bit of cleaning done as well.

So because I didn’t analyze the original problem properly, I ended up breaking another part. I was fortunate in that replacing it was fairly easy, and even if I did not have a spare on hand I could have made a suitable replacement.

Besides this, I had other problems casting as well, although I also had a couple of improvements from the previous casting session. Details to follow.

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