Measuring air valve shutters

Looking deeper into the poor airflow observed on my stock of surplus Matrix pneumatic valves, I did a subjective measurement of the airflow on each port, on a scale from 0 to 5, using a 20PSI supply. At zero, the pressure could just barely be felt by my finger over the port, and even then, I could only really feel the pulse of pressure as the valve opened. Five was enough airflow to allow me to make a selection of strange noises by controlling my finger pressure over the port, and would probably be adequate to run the air circuits on the caster.

As I mentioned in the previous post, leaving the valve casing screws a bit loose increased the airflow substantially. A sixth of a turn loose improved the airflow on most ports to well over 5, and the ports that were zero improved to 3 or 4.

The valve body comes apart into four main pieces: The front cover (with the individual air ports), the shutter body, the solenoid body, and the back cover (with the electrical connections and supply/exhaust ports). Four M4×0.7×40mm socket head cap screws (3mm hex key) clamp the covers together holding all the sealing O-rings compressed. An additional two screws hold the back cover to the solenoid body. On disassembly the various O-rings tend to remain in their grooves, but occasionally fall out so you have to watch for that.

I disassembled the valve, numbered the shutters using a permanent marker, and measured the thicknesses of the seals. They are made of NBR rubber, so measuring them is tricky because the measuring tool will compress them.

My first try was to use a pair of calipers, which I would loosen until the shutter fell from their grip. Later I used a micrometer, first tightening it using the “click” knob to get a relatively consistent torque, and again loosening until the shutters fell out. The two measurement methods that involved loosening until the shutter dropped out were very consistent: The shutter seals are about 4mm thick, and the average of the differences between the two measurements was only 0.002mm with a standard deviation of 0.014mm. The difference between the “click” and “drop” measurements with the micrometer averaged 0.19mm with a standard deviation of 0.03mm, so the extra compression from the “click” knob was fairly consistent as well.

I charted the three thickness measurements against the subjective flow value and found a very clear trend:

Chart Airflow vs Shutter ThicknessBesides the clear correlation between thickness and flow, if I take the slope of the trend line (33 flow units/mm) and multiply that by the extra space obtained by loosening the case screws (⅙ turn × 0.7mm thread pitch) the result is 3.85 flow units, which is bang on with my observation that a port with zero flow improved to the 3 or 4 range with the loosely assembled casing.

I also gave a close look at the cross section diagram of the valve from the manufacturer’s literature, on the assumption that it would be to scale. Based on this assumption, there is just a bit less than 4mm of space between the NO and NC ports, so a shutter 4mm thick could plausibly seal both ports preventing substantial airflow from either. From the diagram, the shutter seals should be closer to 3.4mm thick, so they would appear to be about 15% swollen. On the other hand, the metal shutter leaf appears to be about 1mm thick on the cross section, but is actually 1.5mm thick. This could perhaps be another variable the manufacturer changes when building the different models of valves for various pressure ranges, because to some extent a thicker shutter leaf would ultimately get more force from the magnetic field of the solenoid.

So this leads to the question as to what to do to remedy the flow problems. One possibility would be the add a shim between the shutter body and solenoid body but now it appears that to restore like-new flow rates the shim would have to be 0.5mm thick (about 0.020″, or ⅔ of a turn loose on the casing screws) and I’m not sure the O-rings that seal the individual shutter chambers would expand enough to remain sealed.

The other choice is to try to remove from the rubber seals whatever is causing their swelling, using some combination of heat and solvents. In general heat causes rubber to contract, so anything absorbed into the structure of the rubber would tend to be expelled (albeit slowly) by this contraction, like squeezing a sponge. The specifications for the valves list an operating temperature range of -10 to 50°C, and it appears that NBR is generally useable up to 120-150°C depending on the grade, although it is not clear how much hotter it has to get before it starts to break down.

The shutter leaves are iron and probably treated somehow to prevent rust, so whatever I do has to preserve this treatment. The metal appears to be nickel-plated and is showing a bit of corrosion in spots where the plating is worn or lifting. The first thing I might try is prolonged soaking in near-boiling water, with some soap added to carry away any oily materials that exude from the rubber. I could get a slightly higher temperature using salt water, but that would cause rusting of the metal.

Pneumatic valves for Monotype computer control

The most expensive and bulky aspect of making a system for computer control of the Monotype composition caster is the pneumatic solenoid valves. You need 31 valves, and they typically cost $30-$50 each. They are generally large enough that they need a separate housing with an octopus of hoses running from the valves to the adapter on the air tower cross girt.

I found several surplus air valves that solve both problems. They are compact: up to eight ports can be controlled by a single valve body which is about a 2-inch cube. And being surplus, the ones I have are very inexpensive. As it turns out new ones, though not cheap by any means, at about $25 per port are on the low end of the price range.

The valves I have are Matrix Mechatronics BX758DE2A324 units with date codes indicating they were made in 1998. The manufacturer offers valves in this series with several options in terms of coil voltage, air pressure range, Normally Open/Normally Closed operation, wiring options, etc. This particular model is designed for 8 bar (120PSI) of pressure, Normally Open (NO) operation, and 24 volt coils with diodes to damp inductive kickback wired for a common negative terminal. Because the air ports on the Monotype spend most of their time at atmospheric pressure, NC operation would be preferable because there would be reduced power consumption and less heat produced. However I can make the supply manifold to suit either NC or NO valves, and holding NO valves closed most of the time as opposed to opening NC ones occasionally would just be a minor change in the software that drives the valves.

This cross section shows two of the individual port valves, the upper one in its normal "closed" position and the upper one in the energized "open" position. O-rings are marked in red. Air paths are marked in green.

This cross section shows two of the individual port valves with the ports themselves on the right, the upper one in its normal “closed” position and the lower one in the energized “open” position. O-rings are marked in red. Air paths are marked in green.

The mechanical structure of the valves seems to be the same for all these options, and it wasn’t really clear to me what difference they actually made. In particular, it seemed to me that the only distinction between NO and NC operation would be which port was connected to the compressed air supply and which one would vent to the atmosphere.

I hooked up compressed air to the central NC port with no wiring connected and found that most of the valves leaked air into the individual ports. Energizing one of the coils would increase the flow but this increased flow was not always phenomenal. This proved to be the case for all the valves I tried.

Thinking there might be more to the NC/NO distinction than just connections, I attached the compressed air to the side (NO) port instead and found that with all eight coils energized, there was no leakage at all. My theory now is that the NC and NO versions (and the 8 bar and 4 bar versions) differ in the strength of the spring that holds the shutter closed. The total force on the shutter is a combination of the spring force, the magnetic attraction from the coil when energized, and the difference in air pressure between the shutter chamber and the sealed port. For best performance, the spring force would be customized based on what these pressure differences would be. On the NO versions this spring is weak because when the shutter is in the normal position, the supplied air pressure will be pressing it closed. When I try using it in NC setup, the air pressure is trying to push the shutter open and the spring is not strong enough to resist this, so it leaks. Used in NO setup, the solenoid coils are strong enough to hold the shutter against the air pressure, so they seal properly.

By this time I had removed one of the driver integrated circuits from the circuit boards that came with the valves, and built a manual 8-channel driver on a prototyping board so I could easily operate each port individually.

Although operating in NO mode gave good sealing when the airflow to the port should be off (i.e. with the coil energized), airflow with the coil off varied from almost nil to strong-but-not-as-much-as-I-expected depending on which port I tested. This was similar to what I observed when trying to use NC mode.

Taking the valves apart turned out to be fairly easy, as long are you’re careful not to drop any parts. By taking apart the valve and assembling it with sections rotated a quarter turn I could change which coil and which shutter was used with which port. I found that the good/bad flow seemed to follow the shutters themselves as I moved things around. By chance once I failed to tighten the casing screw completely and was blown away by the increased air flow. I put all the parts back to their original positions, and found that there was excellent airflow on all the ports if the casing screws were left backed off about half a turn from fully tight.

My theory is that the rubber button which forms the seal on each shutter has become swollen (for instance, from absorbing oil from the air supply, or perhaps just from age) so it in fact almost seals both the NO and NC ports at the same time. Leaving the casing loosely assembled increased the space between these two ports allowing for better air flow.

Swollen shutter seal (blue) blocks both NO and NC ports.

Swollen shutter seal (blue) blocks both NO and NC ports.

Loosely assembling the casing moves the NC and NO ports apart a bit so the air can pass through the port that is supposed to be open. The O-ring that seals the shutter chamber (red) expands enough that it still seals.

Loosely assembling the casing moves the NC and NO ports apart a bit so the air can pass through the port that is supposed to be open. The O-ring around the shutter chamber (red) expands enough that it still seals.

Based on the model number, the seals on the shutters (as well as all the O-rings) are NBR (Nitrile rubber also known as Buna-N). This type of rubber is subject to damage by ketones, aldehydes, and esters, but not by regular oils or glycols.

According to the North American distributor, internal parts are not available for rebuilding these valves, so it looks like I’ll either have to fix them myself or buy new valves.

Fixing them myself might involve somehow shrinking the seals on the shutters a bit, or somehow machining off a bit of the rubber, or adding a shim to the valve assembly to permanently hold the shutter chambers a bit wider.

I might also be able to strengthen the springs by lengthening the tiny push rods that transmit the force from the spring to the shutter.

Before doing any of this I need to be able to measure the shutter seal thickness, first to see if there is indeed a correlation between thicker seals and poor air flow, and second to be able to determine if my attempts to shrink them are working. Measuring these seals will be tricky because they are soft; any force applied in measuring will compress them and make them seem smaller than they are.

Similarly I want to measure the actual spring force to see if it is indeed plausible that the air pressure is strong enough to blow the NC valve open, and to determine whether just adding a spacer to compress the spring more would suffice.

 

Valley Beater available near Vancouver BC

If you live on the west coast and are shopping for a Valley Beater, we’ve received a message that someone in Maple Ridge BC has one for sale.

Valley Beater for saleValley Beater for sale 2Valley Beater for sale 3

This one has a cast iron body but the paint looks to be in very good condition. Based on the serial number it was made in 1959. Its bearings were replaced 10 years ago but they have been kept well lubricated so they should be fine. The diaphragm is however nearing the end of its life and will soon need replacement. It is powered by a 220 volt 2HP motor which I feel is far more than required (our Valley Beater has a ½HP motor) but it looks like the pulley sizes might run it at a higher speed than normal, which would require more power. Beating rags to pulp would also require more power than beating half-stuff so the larger motor’s capacity would not be wasted.

The seller is asking $6000 for it.

If you’re interested in this beater, call or e-mail us and we can get you in touch with the seller.

Update: This beater has been sold.

Cleaning and refilling the Monotype pot

For the casting job I have coming up I want to use Monotype medium alloy (74/10/16% Pb/Sn/Sb) rather than the softer Linotype alloy (84/4/12%) currently in the pot, which I was using to cast spacing.

To do this, I got four ingot moulds ready on a cart, mostly covered by galley trays to protect against any pops and splashing that might occur if the hot metal finds some moisture trapped in the surface of the mould.

I fired up the pot, and once it was well melted I removed the pump, fluxed and cleaned the surface, turned off the heat, and ladled the type metal into the ingot moulds. As I neared the bottom of the pot I had to switch to progressively smaller ladles, and left a small puddle of metal in the well in the bottom of the pot. While things were still hot, I also used a screwdriver to loosen some of the mush that was stuck between the heating elements and the walls of the pot. This mush is a mix of molten metal and oxides which contains enough oxide powder that it doesn’t just flow to the bottom of the pot.

Once the pot was cold again I scooped out most of the loosened mush (now hard again because the metal holding it together had solidified) and pulled out the disk of metal hardened in the well.

The cart holding the moulds wasn’t level so one of the moulds overflowed into the cart. The galley pans covering things meant I didn’t see this happening. In any case, I ended up with four ingots, one puddle from the spillage and the disk from the well.

02 - Metal Removed 01 - Empty

To do a better job of removing more of the hardened mush around the element, I removed the pump support arms which otherwise block access to the rear element and the area near the electrical connections.

All cleaned out and the pump supports re-installed. I was tempted to vacuum out the rest of the dust but decided that anything loose enough to vacuum would also be loose enough to float to the top when the pot was refilled.

All cleaned out and the pump supports re-installed. I was tempted to vacuum out the rest of the dust but decided that anything loose enough to vacuum would also be loose enough to float to the top when the pot was refilled.

One ongoing problem I have had with my pot is that the end of the front element, where it wraps around the nozzle area of the pot, is too high. To keep it submerged I have to keep the pot absolutely brimfull with metal, which makes for more frequent spills, and also makes fluxing and cleaning the metal more difficult. Running with a lower metal level in the pot, leaving part of the element exposed, creates a hot spot in the element where it might burn out prematurely, and forms an extra-hot surface exposed to the air which encourages faster oxidation of the metal.

To force this part of the element down, I put a small piece of 1/8″-thick steel under the nearest retainer clip, which pushed the end of the element down about ¼″ which will make all the difference in the world.

The red arrow points to the section of the element that was too high. The blue arrow indicates the shim I installed.

The red arrow points to the section of the element that was too high. The blue arrow indicates the shim I installed.

A closer view of the shim

A closer view of the shim

To refill the pot, I removed the long pump support arm which holds the nozzle end so that I could pack more broken ingot pieces into the pot. Refilling a pot leaves may sections of heating element out of contact with the metal and thus running hotter than normal, which might reduce the element life, so you want the pot as full as possible.

06 - Packed with ingots

Packed with ingots, ready to turn the heat on again

I tried something new here. I have some welding blankets, made of woven glass fibre, which I folded and placed over the pot while melting the ingots. This serves several purposes:

  • It limits air flow around the molten metal and thus reduces oxidation
  • It generally retains heat in the pot and speeds the melting process
  • The heat from the parts of the elements not in contact with the metal still contribute to melting rather than radiating into the room
  • If a piece of ingot topples while melting, any splashing that occurs will be contained by the blanket

I don’t know how much of a difference the blankets made, but when I came back to the caster I found a pot of nice clean molten type metal. I had also judged the amount of metal just about right: the elements were just submerged, and there was enough spare space that there was no need to remove excess metal when I put the pump back on.

 

 

Grimsby Wayzgoose this Saturday!

This Saturday, April 25th 2015, will see the 37th annual Wayzgoose book arts fair take place at the Grimsby Public Library and Art Gallery. We will have a table there, apparently in the adjacent Carnegie Commons building, where we will be selling some of our bookbinding supplies along with our marbled and handmade papers.

The fair runs from 9am to 5pm (same hours as the Library), and is located on the block between Elizabeth St., Ontario St.,  Adelaide St., and Carnegie Ln. in Grimsby, Ontario, about halfway between Hamilton and the Niagara Falls area. The Wayzgoose site has published pretty good directions here.

Warning! Bad (but possibly original) Pun!

Alexander Fleming, discoverer of penicillin

Alexander Fleming, discoverer of penicillin

Dr. Fleming is walking down the street one day and bumps into an old friend of his.

“My dear Alex!” exclaims his friend, “How are things going?”

“Well, you know,” Fleming replies, “Same mold, same mold!”

 

More store rearranging

This week we had to get a fresh bale of bleached abaca pulp down from the upper tier of the racking in our store. This meant clearing a path for the forklift, which in turn meant moving almost everything.

We took the opportunity to sweep the floor and, more importantly, move the Thompson press to its eventual permanent location. Every now and then up until now we have moved the press a few feet when the next obstacle had been removed. It is too heavy for the forklift but our pallet jack can raise it just fine. Unfortunately, the floor has a slight slope and the Thompson had to move up the slope, so we were unable to budge the press in the desired direction. I had considered pushing it (still on the pallet jack) with the forklift but that did not seem very safe because someone still had to steer the pallet jack and that person would be between the press and the forklift.

I settled on using a come-along winch to pull the press up the slope. We hooked a chain around our working guillotine (as opposed to the unused for-sale one) to act as an anchor. The come-along cable was not quite long enough, and I had no other long chain or cable, so I hooked a second come-along in series, with its cable tied around the base of the pallet under the press.

150418 Winching up the slope 2 150418 Winching up the slope 1

It was a sunny day where we had been working outside and I forgot to remove my hat when I started on this job.

After using up all the length of the come-alongs I reset the chain around the guillotine and pulled the press the rest of the way, with Audrey steering to get it as close to the chalk lines on the floor as possible.

The press remains on its pallet, but at least now we can get some feel for the amount of space around it. If we haven’t bumped into it too many times, later this year I will make a raised and, more importantly, level concrete pad for it to rest on and we can finally install it and bolt it down. The bolts are certainly not to stop it from floating away, but to stop it from slowly walking off its spot when in use.

Oh, Carp!

Our property backs onto Alder Creek, which drains some of the area southwest of Kitchener and empties into the Nith River at Ayr. A bit upstream of us, an earth dam forms Alder Lake.

There is a spot near us where the creek is trying to dig a new channel: at flood levels this channel gets plenty of flow, and the high spot between this and the main channel is pretty much submerged. The main channel is partly blocked by some fallen tree trunks so lately the side channel has been getting used more and is getting deeper, to the point where now even at normal creek levels, the side channel almost flows.

Last week we had a day of heavy rain, and the creek rose to its typical spring flood level for a few hours. Two days later I looked down into the creek valley and saw something that at first looked like a piece of tire. I thought it might have been uncovered by the flow.

But it turned out to be a dead carp; what looked like tire tread to me was the scales. There were three others nearby in various stages of having been eaten. The largest one was perhaps 60-70cm long and the other three were almost a big.

My assumption is that the high water flow washed them out of the lake, and they found this new side channel as a relative calm area in the otherwise torrential creek flow. As the creek level dropped they became stranded and, exhausted from fighting the current for so long, they were not able to escape to the main creek.

Over the next few days they slowly disappeared, likely being eaten by crows, raccoons, and coyotes, not to mention smaller scavengers.

Slightly gross pictures follow the break…

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Linen Thread

Every now and then someone asks us how thick our linen thread is, or whether it is the same as some other thread they have used. Our thread sizes are specified by two numbers separated by a slash, such as “18/3”.

The number after the slash indicates the number of plies (strands) that have been twisted together to make the final thread, 3 in this case. The larger the number, the heavier the thread. Generally these plies can be easily separated and counted, but we don’t recommend splitting the thread and sewing with a single ply. The double twist of a plied thread keeps the fibres in the individual plies twisted; a single ply by itself would tend to untwist and lose strength.

The number before the slash is more complicated. It represents the number of 300-yard lengths of the strand (not the finished thread) it takes to weigh one pound. Thus the larger the number, the finer the strands. This is called the “Linen count” and is different than what is used for other fibres. There are for instance also a Wool count, a metric count (number of kilometres in one kilogram of thread), and a Tex number (number of grams per kilometre, equal to 1000/metric count).

If you take the combined thread size as a fraction, it will then represent the number of 300-yard lengths of thread it takes to weigh one pound. Our lightest thread is size 40/3, which implies that it takes 40/3 = 13⅓ 300-yard lengths, i.e. 4000 yards, to weigh one pound. Our (current) heaviest thread is size 18/5, which takes 18/5 = 3.6 300-yard lengths, i.e. 1080 yards, to weigh one pound. The heaviest thread is 3.7 times heavier than the lightest one, and would be expected to be about 1.9 (square root of 3.7) times the thickness.

This photo shows samples of the thread we sell, with a millimetre scale (labelled in centimetres) above and an inch scale below.

ThreadA little fooling around in the photo editor verifies that the 18.5 is about twice the thickness of the 40/3. I think it is slightly less tightly spun, making it a bit fluffier and therefore thicker that its weight would imply.

So given the ply count and weight for a measured length, you could figure out the thread size using this system. But you might just be better off getting a ruler and magnifier.

Will the real Swing Bold please step forward

I’m getting ready to cast some 18-point Swing Bold (Monotype #217) for someone and I’ve found that my test casts don’t match the samples I received for alignment matching.

Face Comparison

Each group of 3 letters shows the alignment sample between two of the letters I cast. The bottom shows my casting (in green) and the alignment sample (in red) superimposed with transparency on the other.

My vertical alignment does not match the samples, but more importantly, the letter shapes and sizes don’t match. The S is clearly different, and the differences in the C and T are more subtle but still there. Mine are generally wider than the samples, which explains why the set-size of the samples seemed too small for the sizes marked on my mats.

From the birthmarks on the type I can tell that the alignment samples were cast on a Monotype caster using an English mould, but beyond that, and in particular regarding the provenance of the matrices used for the casting, I have no information that would explain the variation.

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