Cleaning up the pantograph

The Gorton 3U pantograph engraver/mill I just bought needed a bit of fixing up. Some of the bearings in the mechanism were loose, things were dry (of oil) and pretty dirty, and there was a drive belt missing.

I have it fixed up now to the point where I should be able to use it.

The belts were the easiest part. The machine uses two belts to drive the spindle. One runs up from the motor, turns 90° to a horizontal plane, and drives an intermediate pulley on a lightweight arm that moves around to follow the spindle. The other runs from this intermediate pulley to the spindle. Both can be shifted to different size pulleys to obtain eight spindle speeds.

I have a used but serviceable spindle belt, but the motor belt was completely missing. Because of the path of the motor belt, it has to be a round belt rather than the more familiar V-belts. The Accessories book calls for a round linen belt ¼×84″ for the motor and another 3/16×52″ round linen belt to run to the spindle. Big surprise (not!), no one makes this type of belt any more. The closest thing you can get now is round polyurethane belting, which is cut and heat-welded to the desired length.

I had a pair of polyurethane belts made and installed them on the engraver. The weight of the motor provides the tension for the first belt, but the motor is pretty heavy so there is supposed to be a counterweight to limit the tension. My counterweight is missing so there was quite a bit of tension on the first belt. The tension on the second belt is provided by an adjustable rod that pushes the intermediate shaft and spindle apart so this is more readily controlled. In any case I fired up the motor and ran the spindle at a both its maximum and minimum speeds (I had lubricated the spindle and intermediate shaft already) and things seemed to run well. The only problem I foresee is that despite the high tension, the motor belt was flapping quite a bit. I don’t want to keep the high tension because it will stretch the belt, but the flapping will only get worse at lower tensions. The original linen belting would have been lighter and less stretchy and so would have flapped less. Eventually I’ll have to rig a counterweight for the motor so I can control the belt tension, and in the meantime I disconnect the belts when not in use so they won’t stretch.

I gave the machine an overall cleaning and lubrication so the pieces that should slide easily once again do so. This included cleaning all the pantograph parts (after disassembly) with a brass brush, leaving them bright and shiny.

The reduction ratio is controlled by sliding pivots along two of the arms of the pantograph. The sliding blocks have two bolts each that pinch the gibs against the bar to lock them at the desired location.

One of the sliding blocks disassembled. Some of the screws and bolts were missing. The upper groups are originals, and the lower groups are replacements.

One of the sliding blocks disassembled. Some of the screws and bolts were missing. The upper groups are originals, and the lower groups are replacements.

I was missing four of the screws that hold the gibs in place on the sliding block. These had 8-32 threads but a strange head shape, so I had to take some modern 8-32 flat-head screws and reshape the heads using my lathe. I was also missing one of the four pinch bolts. These have ¼-26 threads, which are not a modern standard North American size, but I found some ¼BSF (a British size) that were 26 threads per inch and so would fit. The head size was not a match tough. For one thing BSF head sizes and SAE (American) head sizes don’t match; not only are they nominally different sizes, but even for heads that are nominally the same, the actual size is different. If I recall correctly, the British use heads of exactly the nominal size and wrenches that are slightly over size, while the American system uses wrenches of the exact size and bolt heads that are slightly under size. In addition to needing a different wrench size, the replacement bolts have thinner heads than the originals, making it easier for a wrench to slip off them.

For the gib screws I used the four originals plus four of my replacements, but for the pinch bolts I used all new ones so I would not need two wrenches to adjust the reduction ratio. Some day I may make proper replacement bolts that better match the originals with their fat heads. While assembling the sliding blocks I found that one of the pinch bolt holes was stripped, which probably explains why the bolt went missing. Yet another thing I may fix some day (probably by making a new gib), but for now I’ll be clamping the sliding block with just one of the gibs.

02 - ShimsOn test fitting the sliding blocks on their pantograph arms I had problems getting them to slide smoothly. They had some tight spots but these proved to be due to raised burrs on the bar which were removed with an Arkansas stone. Removing the burrs left one bar sliding smoothly but the other was still too tight. I cured this by making some tiny shim washers to insert between the gibs and the main body of the sliding block. This tightness explains some of the dings I could see in the sliding blocks and the pantograph arms from someone using a hammer to “adjust” them—a practice the manual warns against!

The pantograph has six bearings overall: Four form the corners of the parallelogram, one is the pivot on the fixed point attaching one of the parallelogram arms to the machine frame, and the last connects another parallelogram arm to the spindle. In addition to these, there are two pivots (with two bearings each) on the knuckle which supports the spindle and holds it plumb while allowing it free horizontal motion.

One of the knuckle joints was a bit loose; not loose enough to have visible motion, but enough that by pulling up and down on the spindle you could hear and feel a bit of a clunk. These bearings are easy to tighten: per the directions in the manual, you slack off a pinch bolt, tap the end cap for the pivot shaft in a bit, and re-tighten the pinch bolt. The trick is not to loosen the pinch bolt too much or the cap just loosens up again after you tap it in. The manual warns about having them too tight, which will increase the drag on spindle motion and wear the bearings faster.

As for the pantograph bearings, no two are entirely identical. Two of them are very close: They use identical standard ball bearings pressed into the two ends of the link bar (my name) and are held by identical nuts on posts pressed into two other bars, but the posts are different because the bars they are pressed into are not the same thickness. These were rough so I replaced them with new bearings, which are a still readily available metric size (22×7×9mm), surprising for a machine made in the USA in the early 1940’s.

The other four bearings use loose ⅛″ balls in two rows, trapped between the mushroom end of a stud, a double-sided cup pressed into one of the parts, and a cone loosely pressed onto the stud. All four cups are identical, as are three of the cones, but the studs are all different. One stud is larger and this bearing thus uses one extra ball under the stud head. Three of the studs are held into their mating part using nuts, but one uses a setscrew that grips a flat on the side of the stud shank (the flat is tapered so the stud cannot work out and loosen the bearing).

It took me a few tries to get these bearings reassembled. The biggest problem was keeping the balls in place while the cone was put back onto the shank of the stud. I don’t have an arbor press handy so I did this by tapping them together with a hammer, using various socket wrenches as drivers. I eventually found an order of assembly and an appropriate amount of grease to use to keep everything in place.

Eighteen balls on the cone side of the cup, held in place by some grease

Eighteen balls on the cone side of the cup, held in place by some grease

The cone covering the balls, also with enough grease to hold it in place even when upside-down.

The cone covering the balls, also with enough grease to hold it in place even when upside-down.

The stud with eleven balls stuck to its head with more grease. One of the studs is a larger diameter and takes twelve balls.

The stud with eleven balls stuck to its head with more grease. One of the studs is a larger diameter and takes twelve balls.

The bearing fully assembled. This particular one bolts into a sleeve which is held to the spindle by a pinch bolt. This allow some vertical adjustment so the pantograph is not pulled out of its plane of motion.

The bearing fully assembled. This particular one bolts into a sleeve which is held to the spindle by a pinch bolt. This allow some vertical adjustment so the pantograph is not pulled out of its plane of motion.

Both sliding blocks ready to install, including new felt washers to keep dirt out of the grease.

Both sliding blocks ready to install, including new felt washers to keep dirt out of the grease.

The two bearings whose cups were pressed into arms of the pantograph required a bit of a balancing act to assemble.

Once the pantograph is reassembled and installed on the machine, the open bearings can be tightened by tightening the nuts on the ends of their studs. Except of course for the bearing that uses a setscrew to hold the stud to the other arm. For this one you have to use a C-clamp to press the stud tight, then re-tighten the setscrew. If you set a bearing too tight, you have to loosen the nut, tap a wedge (a slot screwdriver will do) between the arms to loosen the bearing again, and try tightening the nut again, just right so there is no play, but also as little drag as possible.

More Equipment!

The main reason for my visit to Don Black last Friday was to pick up a new (to me) machine.

IMG_8241This is a Gorton 3U pantograph mill/engraver, which turned up when Don and Craig were reorganizing their stock. This machine is used to perform engraving and 2-dimensional milling following a template, and is capable of enlarging (by about 25%) or reducing (all the way down to 0%) the template image in the process.

There is a table (on the left) with 3-axis motion calibrated to 0.001″ for holding the work being cut. Above that is the engraving spindle itself which is supported by a jointed set of arms which maintain a constant height and keep the spindle vertical. There is also an arm and pulley system hidden at the back which drives the spindle from the motor just visible behind the foot of the machine. By switching the belts to different pulleys the spindle can be adjusted to eight speeds over a range from 3800 to 15,000 RPM.

The pantograph proper is a parallelogram of four arms, with pivots hanging it from the overarm (grey column near top center) and attaching it to the spindle. The enlargement or reduction is controlled by setting exactly where these two pivots are clamped to the parallelogram arms. As the tracer at the end of the long arm (top right) is moved over the template (placed on the upper ridged platform), the spindle moves in a scaled motion to match.

This machine had been sitting in Don’s warehouse long enough that neither Don nor Craig remember where they got it, so it is quite dusty. Some of the bearings in the pantograph joints need a bit of TLC, and one of the drive belts is completely missing, so a bit of work will be needed to get this into running order.

Although Don didn’t have any documents to go with this machine, we’re fortunate enough that Richard Gorton, great-grandson of George Gorton II, has scanned and posted online all the documents he could get his hands on, along with some history of the company. On this site I have found a full set of manuals for this machine, although as with most machine tools the manuals cover the features specific to the machine as the user is expected to understand machining in general on their own.

I plan on using it to cut matrices for my type caster. You can see a similar machine (but I believe it to be a Deckel rather than a Gorton) being used for making matrices by the late Jim Rimmer in the film “Making Faces

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Monomatic Parts

I got a big lot of what appeared to be justification wedges for a Monotype composition caster from Don Black last week, many of them brand new, still in the protective plastic dip from the factory.

Justification WedgesIt turns out, however, that these don’t fit the comp caster. The part numbers on them are 310D and 311D rather than 10D and 11D one would expect, and they have too many notches on them for the comp caster. It turns out they are justification wedges for the Monomatic II, a machine produced to supersede the comp caster but arriving in the market too late, when hot metal was on the wane. It appears that the Monomatic’s main improvement was to replace the original paper ribbon encoding with separate encodings for the letter width and for the matcase position thus eliminating any width limitations of the original comp caster. The Monomatic could cast any matcase position to any width, so the letters were not restricted to the (up to) 15 different widths encoded in the Normal Wedge, nor would a letter width have to be fudged because the matcase row for its desired width was already full. The matcase was also enlarged to 18×18 so it could hold 324 matrices, up from the 255 of the 15×17 extended matcase or 272 of the 16×17 unit-shift matcase on the comp caster. That’s enough for two more alphabets.

Not all those wedges are Monomatic II, though. Four of them have only ten notches on them, and are marked 210S1, 211S1, A10D1, and A11D2. These ones are still a mystery.

Justification Wedge Markings

There were also three other wedges in the lot, but they aren’t justification wedges:

IMG_8239These have a slot cut through then, so perhaps they fit over a bolt to accomplish some adjustment. One of them is engraved “18 pt Nº177” and all three have a scale from 3 down to zero and back up to 3 again.

I also have other parts that are for the Monomatic: some racks that clearly have too many positions for the comp caster (and one of which has a part symbol of 312C18 written on it identifying it as a Monomatic II part), and two bridge carrying frames and sliding frames made for the larger matcases.

Various racks from my parts stash. Front pin block racks on the left, rear pin block racks on the right. The ones near the top are for various Comp casters, but the ones at the bottom appear to be for the Monomatic II.

Various racks from my parts stash. Front pin block racks on the left, rear pin block racks on the right. The ones near the top are for various Comp casters, but the ones at the bottom appear to be for the Monomatic II.

I have no reason to keep these Monomatic parts so if you own a Monomatic and want them, feel free to ask (all, what, 3 of you?)!

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Strip Moulds at Don Black’s

While I was at Don Black’s today, Don mentioned that in the process of cleaning up their warehouse (a daunting project which appears to be coming along well) he found a few boxes of what he thought were Monotype parts. One box, which I purchased, contained justification wedges (although they turned out not to be for the Composition caster).

There were also three boxes of what were obviously moulds for making rule or leading seemingly made by Monotype but also clearly not for the Composition caster.

IMG_8226 IMG_8227

My guess is that they fit the Giant Caster, but some expert on this machine would have to verify that. I think I have a manual for this machine somewhere so I might be able to check this myself.

IMG_8222

The part and serial numbers (1½ NR2F903H #114). The 1½ is probably the width in points and the 'F' might mean full-face rule. Other moulds had a number instead of the 'F'.

The part and serial numbers (1½ NR2F903H #114). The 1½ is probably the width in points and the ‘F’ might mean full-face rule. Other moulds had a number instead of the ‘F’.

Don has 20 or 30 of these moulds, in sizes that appear to range from 12 point down to ½ point (try pulling that with an Elrod!). There are also several metal plates, in two sizes, with four large holes in each, perhaps some kind of spacer.

So if any of you know what these are (or even better, you want to rescue them), speak up!

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Cleaning up unearths a treasure—a month late

I did a round of cleaning up in the shop, partly to search for my missing mat holder, and partly because I picked up more parts from Don Black.

While cleaning up, I found the box of stuff I picked up at Firefly Press after last year’s ATF conference, and at the bottom of the box, mixed in with a pile of matcase parts, were six mould blade kits for American display moulds.

More Kits from 2014There is one kit for each size: 12, 14, 18, 24, 30, and 36 point. They are fitted for specific moulds and marked with the corresponding moulds’ serial numbers. Needless to say I don’t own any of the matching moulds, but the spacer (“Point Block”) in each of these kits can be used in any mould as they are not serial-number specific.

Had I found these a couple of months ago, I could have avoided going through the trouble of making my own Point Block for running my display mould at 18 points! Now that I have these, though, I can measure the point blocks and add the measurements to my analysis of the relationship between their nominal size and actual thickness. Although they are marked by serial number as well, I may be able to use the Mould-Blade Shield and Mould-Blade Top Guide (what I’ve been calling the Back and Front Covers) to replace missing or broken ones in the kits fitted to moulds I actually own.

 

Measuring air valve spring strength

In addition to poor flow when open, the other shortcoming of my stock of surplus Matrix pneumatic valves is poor sealing (leakage) when operated in NC mode, where the shutter spring is the only force holding back the flow of air.

The port the shutter seals against is about 0.050″ diameter (based on trying various size drill shanks in the port), so its area is .00196 in² and the force against the shutter when the supply is 20PSI would be about 17.9g. Yes, I realize this is cheating, grams are a unit of mass, not force, but I am referring to weight-equivalent force. In CGS units this would be about 17,500 dynes or in MKS units 0.175N (Newtons).

I set up a rather makeshift rig to test the spring strength. The solenoid body with attached rear cover are taped to the arm of a machinist’s height gauge, with the projecting spring push rods just above the pan of a sensitive scale (0-50g×0.01). By lowering the height gauge, the springs are compressed and I can plot the force/distance relationship for all 8 springs working in parallel.

Measuring spring forceThe result was that the individual springs produce 10.5g/mm, that is, for every mm of compression, they produce 10.5g of additional force.

For the spring to generate enough force to hold the shutter against 20PSI it would have to be compressed by about 1.7mm from its free length. However, based on the cross-sectional drawing from the specifications (assuming that it dimensionally trustworthy) the springs are only compressed about 0.4mm when the shutter is closed. Even with the swollen shutters in my valves, the closed compression is only 0.9mm. In fact the fully-compressed length of the spring is only 4mm less that its free length, so the most force the spring could ever produce is about 42g, enough to hold back about 45PSI.

Clearly, the valves actually designed for NC use have stronger springs in them so they can hold back the rated pressure of 8 bar (120PSI). This is hinted at by the cross-section which shows a spring with heavier wire and only half as many coils as the springs in my valve, although comparing the springs for the compressed and relaxed position in the cross-section show a different coil count, so the spring drawn there may just be a schematic representation.

The Monotype caster only needs about 20PSI to operate it, so rather than using stronger springs, I could make 2mm spacers to insert between the springs and their push rods. This would be enough to seal against about 28PSI, more than enough to run the caster.

Another possibility is to stretch the regular springs by about 2mm, but I would rather avoid making irreversible changes to parts of the valves. This would, however, be much faster than making tiny spacers.

I can also run the valves unmodified in NO mode, where the solenoid supplies the force to resist the air pressure. This just involves a slightly different design for the manifold that supplies the valves, a software change to invert “on” and “off” and more heat generation in the valves because they would spend most of their time energized.

Measuring air valve shutters

Looking deeper into the poor airflow observed on my stock of surplus Matrix pneumatic valves, I did a subjective measurement of the airflow on each port, on a scale from 0 to 5, using a 20PSI supply. At zero, the pressure could just barely be felt by my finger over the port, and even then, I could only really feel the pulse of pressure as the valve opened. Five was enough airflow to allow me to make a selection of strange noises by controlling my finger pressure over the port, and would probably be adequate to run the air circuits on the caster.

As I mentioned in the previous post, leaving the valve casing screws a bit loose increased the airflow substantially. A sixth of a turn loose improved the airflow on most ports to well over 5, and the ports that were zero improved to 3 or 4.

The valve body comes apart into four main pieces: The front cover (with the individual air ports), the shutter body, the solenoid body, and the back cover (with the electrical connections and supply/exhaust ports). Four M4×0.7×40mm socket head cap screws (3mm hex key) clamp the covers together holding all the sealing O-rings compressed. An additional two screws hold the back cover to the solenoid body. On disassembly the various O-rings tend to remain in their grooves, but occasionally fall out so you have to watch for that.

I disassembled the valve, numbered the shutters using a permanent marker, and measured the thicknesses of the seals. They are made of NBR rubber, so measuring them is tricky because the measuring tool will compress them.

My first try was to use a pair of calipers, which I would loosen until the shutter fell from their grip. Later I used a micrometer, first tightening it using the “click” knob to get a relatively consistent torque, and again loosening until the shutters fell out. The two measurement methods that involved loosening until the shutter dropped out were very consistent: The shutter seals are about 4mm thick, and the average of the differences between the two measurements was only 0.002mm with a standard deviation of 0.014mm. The difference between the “click” and “drop” measurements with the micrometer averaged 0.19mm with a standard deviation of 0.03mm, so the extra compression from the “click” knob was fairly consistent as well.

I charted the three thickness measurements against the subjective flow value and found a very clear trend:

Chart Airflow vs Shutter ThicknessBesides the clear correlation between thickness and flow, if I take the slope of the trend line (33 flow units/mm) and multiply that by the extra space obtained by loosening the case screws (⅙ turn × 0.7mm thread pitch) the result is 3.85 flow units, which is bang on with my observation that a port with zero flow improved to the 3 or 4 range with the loosely assembled casing.

I also gave a close look at the cross section diagram of the valve from the manufacturer’s literature, on the assumption that it would be to scale. Based on this assumption, there is just a bit less than 4mm of space between the NO and NC ports, so a shutter 4mm thick could plausibly seal both ports preventing substantial airflow from either. From the diagram, the shutter seals should be closer to 3.4mm thick, so they would appear to be about 15% swollen. On the other hand, the metal shutter leaf appears to be about 1mm thick on the cross section, but is actually 1.5mm thick. This could perhaps be another variable the manufacturer changes when building the different models of valves for various pressure ranges, because to some extent a thicker shutter leaf would ultimately get more force from the magnetic field of the solenoid.

So this leads to the question as to what to do to remedy the flow problems. One possibility would be the add a shim between the shutter body and solenoid body but now it appears that to restore like-new flow rates the shim would have to be 0.5mm thick (about 0.020″, or ⅔ of a turn loose on the casing screws) and I’m not sure the O-rings that seal the individual shutter chambers would expand enough to remain sealed.

The other choice is to try to remove from the rubber seals whatever is causing their swelling, using some combination of heat and solvents. In general heat causes rubber to contract, so anything absorbed into the structure of the rubber would tend to be expelled (albeit slowly) by this contraction, like squeezing a sponge. The specifications for the valves list an operating temperature range of -10 to 50°C, and it appears that NBR is generally useable up to 120-150°C depending on the grade, although it is not clear how much hotter it has to get before it starts to break down.

The shutter leaves are iron and probably treated somehow to prevent rust, so whatever I do has to preserve this treatment. The metal appears to be nickel-plated and is showing a bit of corrosion in spots where the plating is worn or lifting. The first thing I might try is prolonged soaking in near-boiling water, with some soap added to carry away any oily materials that exude from the rubber. I could get a slightly higher temperature using salt water, but that would cause rusting of the metal.

Pneumatic valves for Monotype computer control

The most expensive and bulky aspect of making a system for computer control of the Monotype composition caster is the pneumatic solenoid valves. You need 31 valves, and they typically cost $30-$50 each. They are generally large enough that they need a separate housing with an octopus of hoses running from the valves to the adapter on the air tower cross girt.

I found several surplus air valves that solve both problems. They are compact: up to eight ports can be controlled by a single valve body which is about a 2-inch cube. And being surplus, the ones I have are very inexpensive. As it turns out new ones, though not cheap by any means, at about $25 per port are on the low end of the price range.

The valves I have are Matrix Mechatronics BX758DE2A324 units with date codes indicating they were made in 1998. The manufacturer offers valves in this series with several options in terms of coil voltage, air pressure range, Normally Open/Normally Closed operation, wiring options, etc. This particular model is designed for 8 bar (120PSI) of pressure, Normally Open (NO) operation, and 24 volt coils with diodes to damp inductive kickback wired for a common negative terminal. Because the air ports on the Monotype spend most of their time at atmospheric pressure, NC operation would be preferable because there would be reduced power consumption and less heat produced. However I can make the supply manifold to suit either NC or NO valves, and holding NO valves closed most of the time as opposed to opening NC ones occasionally would just be a minor change in the software that drives the valves.

This cross section shows two of the individual port valves, the upper one in its normal "closed" position and the upper one in the energized "open" position. O-rings are marked in red. Air paths are marked in green.

This cross section shows two of the individual port valves with the ports themselves on the right, the upper one in its normal “closed” position and the lower one in the energized “open” position. O-rings are marked in red. Air paths are marked in green.

The mechanical structure of the valves seems to be the same for all these options, and it wasn’t really clear to me what difference they actually made. In particular, it seemed to me that the only distinction between NO and NC operation would be which port was connected to the compressed air supply and which one would vent to the atmosphere.

I hooked up compressed air to the central NC port with no wiring connected and found that most of the valves leaked air into the individual ports. Energizing one of the coils would increase the flow but this increased flow was not always phenomenal. This proved to be the case for all the valves I tried.

Thinking there might be more to the NC/NO distinction than just connections, I attached the compressed air to the side (NO) port instead and found that with all eight coils energized, there was no leakage at all. My theory now is that the NC and NO versions (and the 8 bar and 4 bar versions) differ in the strength of the spring that holds the shutter closed. The total force on the shutter is a combination of the spring force, the magnetic attraction from the coil when energized, and the difference in air pressure between the shutter chamber and the sealed port. For best performance, the spring force would be customized based on what these pressure differences would be. On the NO versions this spring is weak because when the shutter is in the normal position, the supplied air pressure will be pressing it closed. When I try using it in NC setup, the air pressure is trying to push the shutter open and the spring is not strong enough to resist this, so it leaks. Used in NO setup, the solenoid coils are strong enough to hold the shutter against the air pressure, so they seal properly.

By this time I had removed one of the driver integrated circuits from the circuit boards that came with the valves, and built a manual 8-channel driver on a prototyping board so I could easily operate each port individually.

Although operating in NO mode gave good sealing when the airflow to the port should be off (i.e. with the coil energized), airflow with the coil off varied from almost nil to strong-but-not-as-much-as-I-expected depending on which port I tested. This was similar to what I observed when trying to use NC mode.

Taking the valves apart turned out to be fairly easy, as long are you’re careful not to drop any parts. By taking apart the valve and assembling it with sections rotated a quarter turn I could change which coil and which shutter was used with which port. I found that the good/bad flow seemed to follow the shutters themselves as I moved things around. By chance once I failed to tighten the casing screw completely and was blown away by the increased air flow. I put all the parts back to their original positions, and found that there was excellent airflow on all the ports if the casing screws were left backed off about half a turn from fully tight.

My theory is that the rubber button which forms the seal on each shutter has become swollen (for instance, from absorbing oil from the air supply, or perhaps just from age) so it in fact almost seals both the NO and NC ports at the same time. Leaving the casing loosely assembled increased the space between these two ports allowing for better air flow.

Swollen shutter seal (blue) blocks both NO and NC ports.

Swollen shutter seal (blue) blocks both NO and NC ports.

Loosely assembling the casing moves the NC and NO ports apart a bit so the air can pass through the port that is supposed to be open. The O-ring that seals the shutter chamber (red) expands enough that it still seals.

Loosely assembling the casing moves the NC and NO ports apart a bit so the air can pass through the port that is supposed to be open. The O-ring around the shutter chamber (red) expands enough that it still seals.

Based on the model number, the seals on the shutters (as well as all the O-rings) are NBR (Nitrile rubber also known as Buna-N). This type of rubber is subject to damage by ketones, aldehydes, and esters, but not by regular oils or glycols.

According to the North American distributor, internal parts are not available for rebuilding these valves, so it looks like I’ll either have to fix them myself or buy new valves.

Fixing them myself might involve somehow shrinking the seals on the shutters a bit, or somehow machining off a bit of the rubber, or adding a shim to the valve assembly to permanently hold the shutter chambers a bit wider.

I might also be able to strengthen the springs by lengthening the tiny push rods that transmit the force from the spring to the shutter.

Before doing any of this I need to be able to measure the shutter seal thickness, first to see if there is indeed a correlation between thicker seals and poor air flow, and second to be able to determine if my attempts to shrink them are working. Measuring these seals will be tricky because they are soft; any force applied in measuring will compress them and make them seem smaller than they are.

Similarly I want to measure the actual spring force to see if it is indeed plausible that the air pressure is strong enough to blow the NC valve open, and to determine whether just adding a spacer to compress the spring more would suffice.

 

Valley Beater available near Vancouver BC

If you live on the west coast and are shopping for a Valley Beater, we’ve received a message that someone in Maple Ridge BC has one for sale.

Valley Beater for saleValley Beater for sale 2Valley Beater for sale 3

This one has a cast iron body but the paint looks to be in very good condition. Based on the serial number it was made in 1959. Its bearings were replaced 10 years ago but they have been kept well lubricated so they should be fine. The diaphragm is however nearing the end of its life and will soon need replacement. It is powered by a 220 volt 2HP motor which I feel is far more than required (our Valley Beater has a ½HP motor) but it looks like the pulley sizes might run it at a higher speed than normal, which would require more power. Beating rags to pulp would also require more power than beating half-stuff so the larger motor’s capacity would not be wasted.

The seller is asking $6000 for it.

If you’re interested in this beater, call or e-mail us and we can get you in touch with the seller.

Update: This beater has been sold.

Cleaning and refilling the Monotype pot

For the casting job I have coming up I want to use Monotype medium alloy (74/10/16% Pb/Sn/Sb) rather than the softer Linotype alloy (84/4/12%) currently in the pot, which I was using to cast spacing.

To do this, I got four ingot moulds ready on a cart, mostly covered by galley trays to protect against any pops and splashing that might occur if the hot metal finds some moisture trapped in the surface of the mould.

I fired up the pot, and once it was well melted I removed the pump, fluxed and cleaned the surface, turned off the heat, and ladled the type metal into the ingot moulds. As I neared the bottom of the pot I had to switch to progressively smaller ladles, and left a small puddle of metal in the well in the bottom of the pot. While things were still hot, I also used a screwdriver to loosen some of the mush that was stuck between the heating elements and the walls of the pot. This mush is a mix of molten metal and oxides which contains enough oxide powder that it doesn’t just flow to the bottom of the pot.

Once the pot was cold again I scooped out most of the loosened mush (now hard again because the metal holding it together had solidified) and pulled out the disk of metal hardened in the well.

The cart holding the moulds wasn’t level so one of the moulds overflowed into the cart. The galley pans covering things meant I didn’t see this happening. In any case, I ended up with four ingots, one puddle from the spillage and the disk from the well.

02 - Metal Removed 01 - Empty

To do a better job of removing more of the hardened mush around the element, I removed the pump support arms which otherwise block access to the rear element and the area near the electrical connections.

All cleaned out and the pump supports re-installed. I was tempted to vacuum out the rest of the dust but decided that anything loose enough to vacuum would also be loose enough to float to the top when the pot was refilled.

All cleaned out and the pump supports re-installed. I was tempted to vacuum out the rest of the dust but decided that anything loose enough to vacuum would also be loose enough to float to the top when the pot was refilled.

One ongoing problem I have had with my pot is that the end of the front element, where it wraps around the nozzle area of the pot, is too high. To keep it submerged I have to keep the pot absolutely brimfull with metal, which makes for more frequent spills, and also makes fluxing and cleaning the metal more difficult. Running with a lower metal level in the pot, leaving part of the element exposed, creates a hot spot in the element where it might burn out prematurely, and forms an extra-hot surface exposed to the air which encourages faster oxidation of the metal.

To force this part of the element down, I put a small piece of 1/8″-thick steel under the nearest retainer clip, which pushed the end of the element down about ¼″ which will make all the difference in the world.

The red arrow points to the section of the element that was too high. The blue arrow indicates the shim I installed.

The red arrow points to the section of the element that was too high. The blue arrow indicates the shim I installed.

A closer view of the shim

A closer view of the shim

To refill the pot, I removed the long pump support arm which holds the nozzle end so that I could pack more broken ingot pieces into the pot. Refilling a pot leaves may sections of heating element out of contact with the metal and thus running hotter than normal, which might reduce the element life, so you want the pot as full as possible.

06 - Packed with ingots

Packed with ingots, ready to turn the heat on again

I tried something new here. I have some welding blankets, made of woven glass fibre, which I folded and placed over the pot while melting the ingots. This serves several purposes:

  • It limits air flow around the molten metal and thus reduces oxidation
  • It generally retains heat in the pot and speeds the melting process
  • The heat from the parts of the elements not in contact with the metal still contribute to melting rather than radiating into the room
  • If a piece of ingot topples while melting, any splashing that occurs will be contained by the blanket

I don’t know how much of a difference the blankets made, but when I came back to the caster I found a pot of nice clean molten type metal. I had also judged the amount of metal just about right: the elements were just submerged, and there was enough spare space that there was no need to remove excess metal when I put the pump back on.

 

 

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