Some remnant Premium Abaca pulp for sale

Years ago we decided to stop carrying Premium Abaca pulp in our catalogue, but we ended up with this small remainder that was never sold.

Abaca pulps

Clockwise from right: Regular Abaca, Bleached Abaca, and Premium Abaca pulps

Premium abaca pulp is made from abaca fibres specially selected for their light colour, thus resulting in a pulp alomst as pale as bleached abaca without the need for bleaching. As with our regular abaca pulps, these can be used just by rehydrating them, or they can be further beaten in a Hollander beater to make crisper paper.

We have about 16kg (35 lbs) of this and we are selling it for our original price of $21.00 per kilogram with the usual quantity discounts (5% off for 5kg or more, and in this special case, 10% off if you take it all). As usual, shipping and taxes extra.

We also have a limited supply of eucalyptus pulp (our only wood-based pulp) which I will describe in a near-future post.

Feel free to contact us if you are interested in buying some of this pulp, or anything else in our regular catalogue for that matter.

New Monotype Pump Spring Rod (sort of)

After realizing that I could not make a new pump rod for my Monotype caster on my lathe (the lathe bed was not long enough), I considered several ways to get around this problem.

As it turns out the solution was easy: make a small extension to lengthen the existing spring rod.

Extended spring rod

Rough-cut to length

I started with a shorter piece of 5/8″ round steel, turned one end down to 7/16″ and threaded it to match the lower end of the existing spring rod. I used a hacksaw to rough-cut the rod to length.

The other end

The other end of the rod was faced to the correct length, drilled, and tapped. I had a little trouble getting the bottoming tap started in the hole so the first turn or so of threads is a bit rough. A short 7/16″ counterbore accommodates the unthreaded portion of the end of the spring rod.

The photo at left shows the extension installed on the spring rod. The joint is tough to see, but it is a little over two inches from the lower end of the rod (which is at the top of the photo). Once I am sure everything fits correctly I will put some removeable threadlocker on this joint so that future removal of the spring rod does not leave the extension behind. If this were to happen it would be very difficult to remove since there would be no place to use any tool to turn the rod extension.

There is a small possibility that this joint might be weak enough to break eventually, but I would hope that by then I would either have a larger lathe or have found a genuine part to replace the home-made one.

Now the only job left is some mill work on the extended-stroke piston rod.

Papermaking for the Dundee Pottery Arts Camp

Tomorrow we will be hosting a two-hour papermaking session for kids in collaboration with the Arts Camp organized by Dundee Pottery.

Table setup

We have the tables, vats, moulds and deckles all ready to go. We might have to set up a shorter table for some of the smaller kids, though.

Coloured pulp

A typical colour selection for teaching papermaking to kids. We also have a pail of white pulp. The pthalo blue (left), quinacridone violet (pink) and azo yellow form a good primary set for mixing.

Hiding out of sight is also a supply of glitter and other decorations to add to the paper.

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Finished paper from the Washi Workshop

Here are some photos of paper made at our recent Washi Workshop.

Western-style sheet

This is the sheet that was made using the western-style technique of a single dip in the vat and letting all the water drain through the mould screen. I had a piece of no-see-um netting over the mould and the paper was dried on this netting as we found it impossible to couch off. The sheet curled a bit when we peeled it off once dry but other than that it is a fairly nice sheet.

Good sheet

This is one of the 3 or 4 good sheets we got from the batch, probably one I made later in the evening after the workshop was done. It is very light, evenly thick, although it seems to show shadow lines from the ribs in my keta.

Common flaws

Many of the sheets showed one of more of the flaws in this sheet. The most obvious one is the hole near the lower right. The heavy bottom edge seems to result from a combination of insufficient formation aid and incomplete throw-off of the pulp from one dip, leaving a roll of fibre at the edge of the sheet. The thick line a few inches from the top of the sheet, and the thin area above it (often to the point of having holes) seem to be due to poor motion when picking up a fresh scoop of pulp, causing the first few inches of the sheet already formed to bunch up.

My habit is to scoop new pulp on the near side and throw off on the far side, so these two flaws always appear on the same edges of the sheet (although they don’t necessarily appear together). The thick far edge may also be the result of working one scoop of pulp too long, leaving too little water and too much fibre in the su, preventing a clean throw-off. This may be why more formation aid helps, as this would reduce the drainage rate of the pulp and keep it free-flowing longer.

One sheet ended up double thickness because I forgot to put the separator thread between the sheets.

Most of the initial sheets in the post had holes or came off in tatters because the sheets were not couching off the su properly. I wonder if I should start my post with a sheet  from a previous batch so the top of the post can provide the right amount of cling for the sheet on the su.

The western papermaking that was also taking place as a diversion from making the washi resulted in a stack of 8½×11″ sheets in a light blue-gray with a speckle to them.

Western-made recycled paper

This was the western-style paper people were making as a diversion from the washi. It is made with recycled brochures resulting in a light gray paper with dark specks.

Monotype Pump Latch R&R Completed

The reconditioning of the pump latch for my Monotype caster is now complete. I found some donors for the missing screws in my parts stock. There were two of the actual latch trigger assemblies there (but not the rest of the latch) so I took two screws from one of these.

Parts Donors Screws from donor part

I used the Loctite Form-A-Thread kit to improve the fit of these screws in the holes I had tapped for them. The tap I had used was a standard modern #8-36 which makes the threads slightly larger in diameter that these screws, and perhaps the vee angle of the threads is different as well. The Form-A-Thread kit consists of a 2-part epoxy filler material and a coating to apply to the screws to prevent the filler from sticking to them. You coat the screws, measure out equal amounts of the two components of the epoxy, mix well, put it in the holes, and screw the screws into place. After 5 to 10 minutes you remove the screws again and give the filler half an hour to finish curing. This stuff is usually used on larger holes and I found I had a bit of trouble getting any down into these relatively small holes, but I seem to have put in enough that the screws now thread in without any slop. I was thrown a bit by their statement that the filler starts to gel in about 5 minutes, but I was finding that the remnants on my mixing board seemed to remain liquid. Perhaps exposure to the air slows or inhibits hardening.

In any case, everything is painted and assembled now, and a few drops of oil makes everything operate smoothly:

20130706IMG_6292 20130706IMG_6293 20130706IMG_6294

The long spring along the back should probably be replaced. It already had an end broken, and when I tried re-shaping the last turn of the spring to make a proper hook again, part of the wire snapped off so perhaps the entire spring is suffering somewhat from metal fatigue. Fortunately, I already have some #24 steel music wire to make a replacement when the time comes, and I have also already measured this spring so I have all I need to replace it. Someday…

So the only task left is to make the longer spring rod. Oh yes, there is also the extended-stroke piston rod to complete.

So much for a part being easy to make…

Too-big part

The new spring rod might be a simple part to make, except that one can’t turn a 24″-long part on a 7×20″ lathe.

I thought the new spring rod I have to make for my Monotype pump would be relatively easy to do, after all, it is just a length of 5/8″ round rod threaded at both ends. The problem is that my Myford ML7 lathe bed is too short to hold the part, and the spindle bore is too small to allow the rod to pass through.

So now I have to come up with another way to do it. One way is to find someone with a larger lathe who will let me use it. Another possibility is to use the CNC capabilities of my mill to shape the ends of the rod. I will have to ponder the possibilities for a few days.

In the meantime I now have a Loctite Form-A-Thread kit for repairing stripped threads, and I will see if I can use it to improve the tapped holes in the pump latch.

Monotype Pump Head reassembled—now on to new parts

The pump head on my Monotype Composition caster is now back together, except for the pump springs and related parts, which I have to replace with home-made ones to accommodate the pump latch mechanism.

Pump head reinstalled

The parts to be made or modified are quite simple, so this is the “drawing” I am working from:

Drawing

This is the drawing, such as it is, that I am working from. It shows (top) an extended-length pump spring rod c20H1, (left) the existing lower spring abutment a20H12, (right) the socket in the upper crosshead a19H3, (bottom) modifications to my home-made a19H5, and (lower right) dimensions for a new piston rod sleeve b20H7.

As it turns out, the thread pitch on the upper end of the spring rod is 11TPI not 12 as shown on the drawing. Modifying the crosshead stud a19H5 was the easiest and done first: I just had to run the appropriate threading die another inch up the rod.

The piston rod sleeve was the next to make. Starting with a length of 1″ diameter hot-rolled round stock (I did not have any cold-rolled), I faced one end, drilled a ¾” hole down the center, and bored partway in to match the diameter of the step in the lower spring abutment.

Boring the hole

This shows the sleeve with one end bored out. The boring tool is a bit out of focus. This diameter actually only has to be bored a little over 1/16″ but I gave it extra depth because it looks better.

I then reversed the sleeve in the lathe, bored the other end (so it could be installed either way up) and faced it to the correct length. Because I used hot-rolled stock, the outside diameter was covered with mill scale which I removed by filing it off, although there is a bit of scale still showing in some pock marks. I would not have had to do this had I started with cold-rolled stock. All the sharp edges and burrs were removed, giving the finished part, which is a nice snug fit with the spring abutment.

Spring rod sleeve and spring abutment

The last part, the longer spring rod, is another story and another post…

Monotype Pump Latch R&R – Threaded hole repair done

After determining that I had a way to drill the necessary holes without any new tooling, the repair of the threaded holes on the Latch Abutment (58H1) is finished.

New tapped holes

Even with the holes properly center-punched, I had a little trouble with the drill drifting out of position on the right-hand hole but I managed to get the hole back to the correct position with only a shallow out-of-round spot. A close look at the photo will show the out-of-round hole. You can also faintly see the circle of brazing that holds the repair plugs in place.

Tapping the holes turned out to need no special tool: the body of my tap wrench was small enough and I just had to put up with the tediousness of sliding the T-handle across every half-turn.

Now I just have to paint all the parts and re-assemble the latch. I have spares of the small screws for the repaired holes. They are original parts, and although they are not an exact match for the tap I used (both the diameter and thread angle differ a bit) their heads have the shape to fit the countersink in the actual latch plate. I don’t feel like taking a pair of modern #8-36 screws and having to re-shape their heads only to have two screws that won’t fit anywhere else on the machine. Another option would be to use a product like Loctite Form-A-Thread to fill the thread in the holes to their proper dimensions.

Washi workshop: drying the pressed paper

Because it only lasted one day, the participants in our recent Washi workshop were unable to experience the joys of taking the sheets off the post and apply them to drying boards. Over the next couple of days we pressed the two posts and occasionally changed out blotter sheets until they seemed dry enough to handle. My previous uncertainty about how dry the post should be is now somewhat diminished: it seems you want the post on the dry side, to the point where fresh blotters don’t absorb much water any more. If you peel off the felt that is against the sheets and hear a wet “shhhhhh” sound it needs more draining.

One problem I encountered is that I forgot to place a couch on the top of the larger post, so the stack of paper was well attached to one of the press boards. The last sheet did not peel off the press board very cleanly.

Lifting the sheet edge with the thread

Here I am using the thread embedded near one edge of the post to lift the edge of the next sheet of paper. This is the smaller post and you can see it is resting on a (somewhat stained) Pellon couch.

Removing a sheet from the post

This sequence show removal of one sheet from the larger post. After pulling the thread, I make sure the entire edge of the sheet is lifting cleanly, then I hold a brush in my right hand and use both hands to lift off the sheet, all the while watching for any tears starting.

Now I use the brush to smooth the sheet onto a drying board (in this case a sheet of 5/16" polyethylene). There is an acquired knack to this in order to get the sheet laid down with no wrinkles.

Now I use the brush to smooth the sheet onto a drying board (in this case a sheet of 5/16″ polyethylene). There is an acquired knack to this in order to get the sheet laid down with no wrinkles.

Altogether I think we had about 30 large sheets and 5 small ones, varying between excellent condition and (especially for the first sheets made) tatters. I’m beginning to see the common flaws in some of my sheets, to recognize them when the wet sheet is still on the su, and to see what I am doing wrong to cause them.

Handmade book for Rural Routes online auction

Just in time for July, I have completed the handmade book which will be auctioned off to help support our studio tour. It will be up for auction through the month of July at our Tour web site’s Auction page. We have an older post showing some of the intermediate stages of making this book.

The blank notebook has 192 pages of handmade paper (8 sections of 6 sheets each) in a limp leather binding with wrap-around back cover, all in cream tones with just a hint of green, with a custom-made magnetic clasp to hold the cover closed. The book measures about 5½ by 8 inches, and because of the fineness of the pages, is only about ¾ of an inch thick. The structure of the spine allows the book to open flat to any page. The pages have been trimmed at the head and tail but the fore edge of each page retains the deckle edge left by the hand papermaking process.

The paper was made by Audrey using a mix of cotton linters pulp, kaolin clay as a filler, and a small amount of synthetic and earth pigments. An internal sizing was also used to prevent feathering when writing with a fountain pen and to protect the paper from small amounts of water dropped on the sheet.

Handmade notebook

With the cover closed, all four edges of the book are covered so you can keep loose papers in it with no chance of them falling out. Because of the softness of the leather and the exposed stitching, the book has a somewhat rustic informal look to it.

Clasp detail

Detail of the custom magnetic clasp.

Stitching detail

The book features exposed stitching on the spine using rough hemp thread.

Front cover

Undoing the clasp and opening the rear flaps reveals the front cover.

Open book

The book opened to an inside page, showing the stitching at the middle of the section.

Writing samples

The paper has a slightly rough surface which accepts most writing instruments.

Show-through

The felt-tip Sharpie pen is the only one that had any bleed-through, although the thinness of the paper renders it slightly transparent, so any writing will show through a bit.

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