Challenge 26” power guillotine for sale

[Note: Please read the comments below regarding the struck-out text]

We have recently upgraded from our Challenge model 265 26” guillotine to a 32” one of even older vintage. We use it to cut up pulp sheets to make them easier to ship, and the 26” one was not wide enough to accommodate all the pulp sheets we stocked.

So the 26” one is now up for sale. It has power cut and power clamp, both driven hydraulically by an electric motor. The motor requires a 3-phase 208-volt supply and draws 11 Amps at 3HP load. Since we moved to our new location, which does not have 3-phase power I have been using a VFD (variable frequency drive) also known as an “inverter drive” to run it. Performance using the VFD has been less than ideal for two reasons: One is that this is an old second-hand VFD which has a current-sensing circuit that gives excessively high readings until the VFD (not the motor) has been powered up for several hours. The other is that the motor size of 3HP is somewhat marginal: when the cutter is at idle, the motor draws about 9 Amps, but during a cut it can draw up to 24Amps. Because the cuts are so short in duration, the average motor load remains under 3HP. For normal motor supply wiring and circuit protection this is not a problem because this high load only lasts a fraction of a second and only occurs perhaps once or twice a minute. Unfortunately the VFD is more sensitive and this leads to occasional overload trips. These are easy to reset as you just have to switch the motor switch off and on again, but they are still a bit of a nuisance.

As a result I am offering to sell this wired as is with the VFD running on 240V single-phase 30Amp, or re-wired to convert it back to 3-phase leaving the buyer the option of replacing the motor with a single-phase one (cost: about $400), or using a static or rotary phase converter. The manual for the machine lists a single-phase 5HP motor as an alternative to the 3-phase 3HP motor,

In any case here are some photos of the machine:

Both the clamp and the knife have dual controls which require both hands to operate, and releasing the knife controls immediately causes the knife to rise back to its idle position.

The machine is sitting on a dolly that I made which allows it to be moved on a smooth hard level floor. A spare knife is included along with the original manual.

Guillotine

Comes with the original manual, spare knife, and manual for the VFD.

Guillotine

The large grey box is the VFD

Guillotine

Rear view below the table showing motor and hydraulic controls.

Nameplate

Guillotine nameplate

Motor nameplate

Motor nameplate

Just yesterday at auction in Goshen Indiana another Challenge 265 sold for US$1350 plus 8% buyer’s premium—that’s $1458 even before taxes. This was a newer model with a deeper and wider table on the operator side and grey paint instead of yellow, and apparently more modern controls.

We are asking $975 for the machine as it is (with the VFD to run on 240V single-phase), or $825 with the VFD removed and the machine converted back to run on 208V 3-phase power. For now I am leaving the VFD on the machine in case anyone wants to see it demonstrated in person.

We have facilities to load this into a truck or trailer and can also mount it on a pallet. If you want it shipped we would hire a professional company to crate it at your expense.

Another keepsake from recent fairs

I seem to have come down with a cold. Not a very bad one, but still sniffles and a (stronger than usual) desire to just sit around and do nothing.

Still I am managing to poke away at various projects but not with enough progress to report on any of them.

Lily making paper

It took me a little while to find this sequence of photos, but here is Lily making paper in October 2012 (she was 5 years old at the time) and jabbering away as she does it. In the third frame she is kissing off a bad sheet and just loves saying so!

Lily Making Paper

The paper Lily is making is about the size of a business card, using a mould made by Brian Queen and a deckle I made to match. The pulp was what we used for the keepsakes for the Watermarks 2012 Conference in Cleveland.

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Watermarks 2012 conference keepsake

For the Watermarks 2012 Conference held in Cleveland in October 2012, we made a keepsake to be included in the bundle given out to all contributors. This conference was held jointly by Friends of Dard Hunter (FDH) and the International Association of Hand Papermakers and Paper Artists (IAPMA).

The keepsakes are 5×7” handmade sheets letterpress-printed on both sides. The pulp consists of raw hemp fibres rinsed clean and beaten two hours in our Valley Beater blended with some cotton linters pulp. Printing was done on our C&P press using handset type.

Watermarks 2012 Keepsake

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The drive home from the Ottawa CBBAG fair

We have the luxury of staying with relatives while in Ottawa, so we ended up driving home Sunday (the day after the fair). Between the traffic around Toronto, Lily wanting to stop either for food or a bathroom break, and me feeling too sleepy to drive for a while, it was a long drive home. Audrey drove for a couple of hours so I could snooze for a while, but as my truck is a lot bigger than the VW Golf she usually drives, she was not enjoying the 401. It was a nice (20°C) sunny day with the A/C on the truck not working, making for a rather hot drive.

We bumped into George and Michelle Walker, also heading home from the fair, at one of our many rest stops so we sat and talked for a while, a nice respite from all that driving.

Anyway, we made it home fine around 7:30pm, got our personal belongings unpacked from the truck, and made sure we had everything ready to get Lily to school the next morning. We will unpack the merchandise from the truck and return it all to its shelves sometime today.

At the CBBAG Ottawa Book Arts Fair

Well, here we are at the Book Arts Fair organized by the Ottawa Valley chapter of CBBAG. If you read this early enough we’re open until 4pm today at the National Archives building at 395 Wellington Street in uptown Ottawa.

Our table at the CBBAG fair

Springs have sprung

Last year at the American Typecasting Fellowshsip Conference Jason Dewinetz mentioned that he had a Ludlow Supersurfacer with a broken clamp spring.

The Supersurfacer is used to smooth off the surface of slugs cast on a Ludlow, which is essentially a manual linecaster: You put together a row of mats and cast an entire line of type as a single piece. If you are casting large sizes the cooling and hardening of the metal produces faint lines on the face of the type, which in turn show up on the printed page particularly if you are using kiss impression. The Supersurfacer is essentially a surface mill with a carriage specially made for holding the Ludlow slugs and removing a tiny amount of metal, leaving a perfectly smooth surface.

There is a torsion spring which helps hold the slug clamped in the carriage, and the one on Jason’s machine was broken. I have a Supersurfacer (even though I have no Ludlow) so I offered to try to make him some replacement springs using the spring from mine as a model.

Original spring

This is the spring from my Supersurfacer with most of the grease and grime cleaned off. Overall the spring is about 1” diameter by 3.5” long.

After some experimentation I made an arbor and determined a winding pitch that would produce a similar spring. I wound them on my Myford ML7 lathe and had to play some tricks with the carriage feed gearing to get the pitch I needed. A wire bending jig was used to form the eyes at each end of the spring. Finally I plated the springs with nickel to match the apparent finish on the original spring.

Three home-made springs

The bottom one was the first try. Some hesitation in winding made the spacing come out uneven.

They don`t look identical to the original but they fit and work in my Supersurfacer, and I`ll be sending them off to Jason in the next few days.

Cleaning the Thompson ink fountain

Most of the dirt on our Thompson platen press is a mix of dust, lint, and oil which can be removed with a soft brush and a vacuum cleaner.

However, the ink fountain suffers from years of encrustation of dried ink. Although in normal operation the ink should stay in its reservoir, sometimes some of it creeps over the edge of the doctor blade and gets on the adjusting screws, where it eventually hardens making it next to impossible to adjust the screws to get the desired ink flow rate. It does not help that they have knurled heads with no provision for using any sort of wrench on them.

Thompson ink fountain in piecesI have disassembled most of the ink fountain as much as I can, but was only able to remove one of the adjusting screws. I will now soak the body and adjusting screws in paint remover, which I have also found to be very effective on dried ink. I will have to repaint the fountain when I am done but it should not be difficult to match the rest of the press, which is pretty much a flat black.

I find it interesting that a press made so soon after WWII should have the occasional aluminum part in it. In particular, the delivery table (but not the feed table) and the cover for the ink fountain are aluminum. I would have expected aluminum to be in short supply compared to cast iron…

Our contribution to the Wayzgoose Anthology

Now that the Anthology is out I can show you our contribution without spoiling the surprise. Overall it turned out nice, although I have 3 or 4 private critiques of my work. There were 135 copies of the Anthology produced, and each one would have unique marbled paper and various colours of paper for the inner leaf. By the way, the page size is 5.5×8.5”.

Front pageEndpaper and page 1Pages 2 & 3Page 4 and endpapercolophon

E-mail woes

Over the weekend and up until sometime today we have been having trouble with the e-mail server that handles @papertrail.ca and @thinkage.ca e-mail addresses. Anyone who tried to e-mail us might have received a warning about delayed delivery or a rejection due to failed delivery. Things should be fixed now, so if you got a rejected mail message, please try sending it again.

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