Waterloo Mini Maker Faire this Saturday!

We’re starting to get things ready to bring to our papermaking demonstration at the Waterloo Mini Maker Faire which will take place this Saturday, June 15th 2013, at Kitchener City Hall. The Faire runs from 10am-10pm, and its looks like there are over 40 exhibitors so there should be plenty to see and do. The displays and workshops run until 6pm, followed by live music to close out the evening.

Based on the current floor plan, we will be just next to the side hallway that leads from the Rotunda area towards Young Street.

Monotype pump head parts cleaning completed

All the parts for the pump head on my Monotype Composition caster are now clean and mostly shiny. There are two cotter (split) pins which I did not bother cleaning since I plan on replacing them.

Cleaned pump head parts

The lower crosshead 19H1, which I could not extract from its compartment, is still filthy. It looks like I might have to try to clean it in situ, as a test insertion of the Piston Operating Rod 19H would get stuck on grunge after going in about an inch. Furthermore, this part has oil passages in it which I should clear out as well. I can’t use the paint remover on this part because there would be no way to rinse it off properly, so I will have to use something that can just be wiped off.

I have already begun a bit of reassembly: The Pump Body Spring Rod 31H1 and its crosshead 31H2 have been reassembled and the nut 31H10 installed and tightened. This turned out to be a press fit loose enough that a rubber mallet could be used to drive the parts together. I made a quick try at re-installing this rod along with its spring and sleeve, but it has to run through a second hole in the lower crosshead 19H1, which also acts as the lower land for the spring, and I found that the pressure from the spring made it next to impossible to get the end of the rod inserted into the hold in the crosshead. Perhaps I could arrange something to keep the spring compressed during installation, or perhaps having the Piston Operating Rod 19H in position would stabilize the crosshead enough to enable insertion of the Pump Body Spring Rod.

(for a part code reference see the photo of the parts right after disassembly)

Once I have both crossheads (31H2 and a19H3) installed on their rods I will repaint the unmachined surfaces of these parts. Then I will do the reassembly in earnest of everything except the pump spring group 20H, for which I have to make modified parts to accommodate the pump latch mechanism, which was the goal that started this entire exercise.

Progress on our Rural Routes auction item

The monthly auction of items to support the Rural Routes Studio Tour continues. This month’s auction features a set of three beautiful flowerpots mounted on a pine plank, from Dundee Pottery and Stained Glass.

We are still working on our item for the July auction: a soft leather-covered notebook with exposed stitching.

Notebook stitching detail

We now have the binding completed, other than trimming the ends of the thread, but we still have to finish shaping the cover and making a closure. The leather feels quite soft and the thread is very coarse, so I designed a stitching pattern that would not place two stitching holes too close to each other. This is however, pretty much inevitable for the kettle stitches that go from one section to the next and form the crossways rows at the head and foot of the spine. It is possible to stagger these holes but then it is difficult to get the stitches to come out neat and even, especially with a stiff thread like this hemp cord.

A little spring cleaning

The only parts of the Monotype pump head left to clean are the three long springs. To soak these in paint remover I made a trough from aluminum foil with the ends folded over several times. Some scraps of lumber support the sides.

Soaking a spring in paint remover

The inner pump spring is in the foil trough covered with paint remover. The fresh paint remover is sort of milky but after soaking for a while some of the loosened grime floats to the surface forming brown spots.

After a few hours soaking, a water spray will remove the loosened grime, leaving a spring that, although not looking entire like new, is at least clean enough to handle without getting black hands.

Slotwall display unit for sale

We have a column finished with slotwall along with some slotwall accessories for sale.

Angle view Face view

We formerly used this to display books and other literature. It is approximately 48 inches wide, 12 inches deep, and 37 inches tall, and was made to be mounted on a low platform and so has no top (the top was above eye level). The slotwall panels are held to the frame with wood screws neatly trimmed with plated finishing washers. The panels are a light wood finish, perhaps faux maple.

We are also selling clear acrylic hangers to fit the slots. There are 8 ledges/shelves, 4 narrow J-hooks and 8 wide J-hooks; the wide ones are 30cm (a little under 24″) long, and you can see the relative size of the other accessories in the photos.

Accessories on wall Accessories

We are asking $75 for the lot, and are willing to deliver for free within the Kitchener-Waterloo-Cambridge area (ground level only).

Wool blanket couches for sale

We were doing some cleaning up and ran across a stack of wool blanket couches which we used for papermaking before we were even involved with the Papertrail. We don’t really have a use for them any more so we’re offering them for sale.

Wool blanket couches

They are 10×12″ (suitable for 8½×11″ paper) and there are 36 of them, of which 26 have serged edges to prevent fraying. The stack is about 5″ thick when you put them all together.

We’re asking $20 for them, plus shipping. Since these were never really part of the business this is a personal sale and so no sales taxes apply. However, if you want you can combine them with an order for other items from our store to spread the shipping cost over more stuff.

 

Finished Washi from 2010

A while ago I posted a video of me making washi while we were in Prince Edward Island but I have yet to post anything about the results. Unfortunately we did not take any video of pressing the post, separating the sheets, or drying them.

The sheets would not separate cleanly so most of them were removed as double or triple thickness sheets, and they were applied to the windows of the guest house to dry. Once dry I had problems with some of them sticking, so there was more damage peeling them off the glass. However, I did get a few good sheets, and we have about 15 left now. Being dried on glass, one surface has a sheen to it which does not show in the photos.

Washi batch

Seven thinner sheets, eight thicker ones, and some torn bits.

Better sheet

This is one of the better sheets, held up to the light. This one is probably still two sheets laminated together

Single-thickness sheet

This is one of the sheets that is (mostly) a single thickness, again held up to the light. It is fine like tissue paper, but there are three or four darker patches which are thicker because patches of the next sheet tore off onto this sheet.

Typical sheet

This is one of the more typical thicker sheets. It is probably three or more of my original formed sheets laminated together, with uneven thickness resulting from patches of the laminated sheets tearing off and staying attached to other sheets in the batch.

There is at least one mistake in the sheetforming that shows in all of these photos: A dark wavy line across one long edge of the sheet which seems to be related to the way I throw off (or fail to throw off) and refill my sugeta for each scoop of pulp that forms one sheet. It would also be nice if the pulp were better beaten so fewer coarse fibre clumps showed up, but that is more of a stylistic thing. My delamination problems might also be due to my sheetforming, perhaps because the throw-off/refill is taking too long so the individual layers are not bonded within the sheet. Finally, I blame sticking to the glass on the fact that I am using a synthetic formation aid (polyethylene oxide or PEO) which remains active and can act like a glue after the pressing is done; natural formation aids including the traditional neri break down substantially by the time the sheets are peeled of the post and dried.

Ink sample

This sample of a single-thickness sheet showing how it takes fountain pen lines very well, with crisp edges and little skipping. The line at the left was drawn of the back of the sheet, showing how much show-through there is.

Monotype pump head disassembly

The third branch of my Monotype pump refitting is the disassembly and cleaning of most of the parts of the pump head. I have started cleaning the parts and have some of the simpler pieces cleaned and ready to re-assemble.

Ready for cleaning

All ready to start cleaning: A box of dirty parts, water-based paint stripper, steel wool, mineral spirits, and for tough spots, acetone, along with a variety of scrapers and brushes.

Some cleaned parts

Most of the parts with simple shapes are cleaned, along with one of the odd-shaped castings.

This still leaves one more odd-shaped casting, a couple of other small parts, and three long springs to clean. I will try to find some sort of trough for soaking the springs in the paint remover, after which there will be plenty of messy brushing to do!

Monotype Pump Latch R&R—A special tool avoided

In order to repair two threaded holes in the Monotype caster pump latch, I thought I would have to make an extension for my drill bit because the holes to be drilled were so close to a side arm on the part. However, it turned out that I could place the required drill bit (#29 if I recall) in the collet chuck of the flex shaft handpiece of my Dremel. It is  a bit of a cheat since #29 is larger that the 1/8″ size the collet is made for but I managed to get the bit held properly anyway. It is also slow work because the Dremel motor easily gets bogged down. Essentially I have to turn it on to a speed that is far too high for a drill bit of that size, then apply enough drilling pressure by hand to slow the motor down to the right speed but not stall it completely. On the other hand the long handpiece makes it easy to visually keep the hole sufficiently square to the surface.

I will not be threading the holes to their original specifications, which is 5/32-36 with what I believe to be a 55° thread angle as I am willing to neither make nor purchase a custom-sized tap for the purpose. Instead I will be using a modern #8-36 tap, whose major diameter 0.164″ is slightly greater than 5/32 (0.156″) and whose thread angle is 60°. The original screws will screw into the new holes, but will have a weakened hold, so I may use #8-36 screws as well, with their heads modified to match the countersink depth.

Anyway, here are a couple of pictures of the drilling process:

Tight clearance drilling Tight clearance drilling

Cleaning the Thompson Ink Fountain Completed

After getting all the parts cleaned on the ink fountain for my Thompson press, I painted the cover and the main casting. I was going to use semi-gloss black, but the flat black I tried seemed to have enough of a sheen to match the rest of the press, especially once it starts to get oily from handling. Then came time for reassembly, where I ran into a couple of glitches.

Partly assembled

The fountain painted and partly assembled: the end plates are installed along with about half the ink adjusting screws.

At this point I found that the ink adjusting screws were still not easy to turn. Evidently their holes were still clogged with a combination of dried ink and new paint. A tap could be used to clean the threads, but the thread was a 5/16BSF22, and old British thread size that you hardly ever see any more, especially outside of Britain! I spent a while on the web looking for such a tap at a reasonable price with no luck. Then I decided to try a possibly simpler task: find a 5/16BSF22 bolt and gash the end with my Dremel to form a crude tap that might not cut metal but would clean the threads. I went to the local hardware supplier’s catalog, found the page for BSF bolts, and right at the bottom they also listed BSF taps (I had already checked the tap & die section of their catalog and found nothing). So Spaenaur to the rescue: they had it in stock and it was only about $15.

Thread cleaning

Cleaning out the threaded holes with a tap. I was too lazy to get my proper tap wrench but there was little torque required so the wrench worked fine.

Dirt from holes

After cleaning the holes with the tap and putting in the adjusting screws, the gunk cleaned from the holes shows on the table.

Now that the adjusting screws were running freely, I re-installed the doctor blade. That left the cover to reinstall. It is held on by a short pivot pin on each end which is held to the cover by a cotter pin, and rotates freely in a matching hole in the main casting. But again the holes were slightly clogged with paint, and after fighting to put the pin in I had scratched it up enough with the pliers that it would not go in fully. Furthermore I determined that the holes for the cotter pin had been drilled a bit off-center and different on the two ends of the cover, so each pivot pin had to be re-installed in the same end of the cover it came from, and had to be rotated to the correct orientation to be able to insert the cotter pins. I filed down the burrs I had made on one pivot pin, finished assembling everything, and re-installed the fountain on the press.

Fountain re-installed

The cleaned fountain back in place on the press.

Transfer roller

The red roller rocks back and forth in time with the press action. Each time it moves to the right it picks up a strip of ink from the fountain roller. The thickness of the ink layer is determined by the adjusting screws on the fountain, and the width is determined by an adjusting lever at the far end of the fountain.

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